ALICIA
HERRERO
Lives and works in Buenos Aires
Biography
Bio
She has participated in the following biennials: I BIENALSUR, Buenos Aires, Argentina (2017); VIII Bienal do Mercosul, Porto Alegre, Brasil (2011); Bienal de Arte de Bogotá, Museo de Arte Moderno de Bogotá, Colombia (2009);V Internationella Konstbiennal, Göteborgs, Suecia (2007); I Bienal del Fin del Mundo-Ushuaia, Argentina (2007); Bienal de Arte Contemporáneo, Museo de Arte Contemporáneo de Bahía Blanca (1999), V Bienal de La Habana, (1994), Cuba.
Among the highlights exhibitions she has had individual shows at Parque de la Memoria (2019); intervention at Proa Foundation (2018); Henrique Faria gallery, Buenos Aires (2017 and 2012); Dispari & Dispari Project, Reggio Emilia, Italy (2009); group exhibitions: Tácticas Luminosas, Fortabat Foundation (2019); Democracia en Obra, CCK (2018); It's the Political Economy, Stupid at DAAP Galleries at the University of Cincinnati, USA (2016), Galerija Nova, Zagreb, Croatia (2014), NeMe Arts Centre and the Art History and Theory Research Lab (Cyprus University of Technology) Limassol, Gallery 400/Univ. of Illinois Chicago, USA (2013); Center for Cultural Decontamination in Belgrade (organized by Rosa Luxemburg Foundation), Serbia 2013, Pori Art Museum, Pori, Finland (2013), Center of Contemporary Art Thessaloniki, Greece (2012), Austrian Cultural Forum New York, USA (2012); MALBA - Museo de Arte Latino Americano de Buenos Aires, Argentina (2012); Van Abbemuseum, Eindhoven, Holland (2008); Shedhalle, Zurich (2003); Neue Gesellschaft für Bildende Kunst, Berlin (2003); Museum Boijmans van Beuningen, Rotterdam, Holland (2001-2002).
She created in 2007 the LIPAC, Laboratory of Investigation in Contemporary Artistic Practices at the Buenos Aires University (CCRRojas). Also she has offered in the last years, workshops, laboratories and lectures at Paos, Museo Clemente Orozco, Guadalajara, México (2016); CasaMario, Montevideo, Uruguay (2016); DortYart, Dordtrech, Holland (2015); MURA, Guadalajara, México (2013); SITAC-Campo de Pruebas, México df (2013); FAC – Fundación de Arte Contemporáneo, Montevideo, Uruguay (2013); Eyebeam - Art + Technology Center, New York, USA (2012); Austrian Cultural Forum New York USA (2012); El Ranchito Matadero and Medialab Prado, Madrid Spain (2012); Cittadellarte-Fondazione Pistoletto, Biella, Italy (2010); Spazio Gerra Reggio Emilia, Italy (2009); Postgrado en Artes Visuales Contemporáneas, Scola Guignard – Minas Gerais Universidad Estatal, Belo Horizonte, Brazil (2011) and Capacete, Rio de Janeiro and Sao Paulo, Brazil (2011), between others.
Their projects have been included in recent publications of international books and catalogues: Tácticas Luminosas by Francisco Lemus and Premio Fortabat (2019); Feminismo y Arte, by Andrea Giunta, Siglo XXI (2018); Art & Politics Now, by Anthony Downey, Thames & Hudson (2014); It´s the Political Economy, Stupid: The Global Financial Crisis in Art and Theory published by Pluto Press (UK) and Pori Art Museum (FI)(2013) (writers: Judith Butler, Brian Holmes, Slavoj Žižek, amongst others); Praxistest.Künstlerische Projekte Zur Vermittlung Aktueller Kunst, book series published by Schoeppinger Forum für Kunstvermittlung, Germany(2012), Rethinking Marxism, Association for Economic and Social Analysis /Routledge/Taylor & Francis, USA /UK and Pedagogy in the Expanded Field publication of the 8th Mercosul Biennial, chapter Art as Knowledge of the World by Pablo Helguera (2011), between others.
She has had the First Prize winner Premio Fundación Fortabat 2019; the Special Jury Mention in Sculpture 108th SNAV 2019; Mecenazgo 2019; the Grant Colección Oxenford 2017; the Grant National Found of Arts (Fondo Nacional de Las Artes) 2016; the Grant Nomination of CIFO (Cisneros Foundation Miami/USA), 2016/2015; the First Prix New Media and Installations at the 103th SNAV 2014, the National Grant for Group Projects (Fondo Nacional de Las Artes) 2013, between others.
Her works are represented in several public and privates collections, including the Museum of Modern Art (MAMBA), Buenos Aires; the Latin American Art Museum (MALBA), Buenos Aires; the Museum of Contemporary Art of Rosario, Argentina (MACRO); the Centre of Contemporary Art Thessaloniki, Greece; the Mendes Contemporary Art Center, Rio de Janeiro; the Wilfredo Lam Center, La Habana; Fundación Allon para las Artes, Buenos Aires; Palais de Glace, Buenos Aires, among other collection in United Kingdom, Holland, USA, Germany, Itally, Peru, etc.
Her recent projects are Algo (of) Rhythms, Secrets and Entropies 2016 (Grand Fondo Nacional de las Artes); Mundus Financial Corporation Inc. Evidence (2015) (commissioned art at DordtYart program, Holland); Informe Capital (2014) (Grant Fondo Nacional de las Artes 2013); Museum of the Political Economy of Art, SurPlus Value and Errata-Catalogue (Henrique Faria gallery 2011/2013); Action Instruments-Box (2011) (MALBA - Museo de Arte Latino Americano de Buenos Aires 2012); Public Considerations, a Symposium in Three Acts (2010/11/16) (at Congreso Nacional Argentino (Parliament), National Bank of Argentina, Buenos Aires University (UBA), Argentina and Uruguay University (Udelar), Montevideo, Uruguay); The Paradigm Confines Tour (2007) (sailing a boat on the Beagle Channel, I The End of the World Biennial, Ushuaia, Argentina).
She lives in Buenos Aires, Argentina.
_____________________________________________________________________________________________________________________________
ALICIA HERRERO
CURRICULUM VITAE
EDUCATION
RESIDENCIES, GRANTS
INDIVIDUAL EXHIBITIONS
GROUP EXHIBITIONS
PROJECTS
PUBLICATIONS
COLLABORATIONS
TEXTS BY ALICIA HERRERO
TALKS AND SHOWCASES
WORKSHOPS AND LABORATORIES
BIBLIOGRAPHY
EDUCATION
1983-87
She studied Arts at National University of Art
(Universidad Nacional de Arte - UNA) Buenos Aires.
RESIDENCIES, GRANTS, MEETINGS,
SYMPOSIUMS (selection) (*indicates publication)
2019 First Prize winner Premio Fundación Fortabat 2019, Buenos Aires
2019
Sculture Special Prize 108º SNAV 2019
2019 Mecenazgo 2019, GCBA
2018 PAOS, Museo Taller José Clemente Orozco y Cermica Suro, Guadalajara, Mexico
2017 Travel Scholarships, Winner of one Oxenford Collection Scholarships. Buenos Aires
2017
PAOS, Museo Taller José Clemente Orozco and Cermica Suro, Guadalajara, Mexico (International Artist Residency)
2016 Grant to the Creation, National Found of Arts (Fondo Nacional de Las Artes)
2016 PAOS, Museo Taller José Clemente Orozco, Guadalajara, Mexico (International Artist Residency)
2015 DordtYart, Commissioned art, Dordrecht / The Netherlands
2015 Nominated to CIFO (Cisneros Fontanals Art Foundation) Achievement Award
2014 First Prize winner "Nuevos Soportes e Instalaciones" (First Prix, New Media and Installations), 103º Salón Nacional de Artes, Buenos Aires*
2013 SITAC XI - Education Platform: Campo de Pruebas, (Simposio Internacional de Teoría sobre Arte Contemporáneo),México DF*
2012 National Grant for Group Projects 2013, Fondo Nacional
de las Artes, Argentina
2011 Capacete, Rio de Janeiro (International Artist Residency)
2009 Project at the Opera Theatre of Cartagena de Indias,
residency of Confluencias-X Art Biennial of Bogotá
*
2008 Desafíos que plantea la Globalización en
las Artes Visuales (Challenges of Globalization in Visual Arts); international
symposium, UNTREF-National University of Tres de Febrero,
Buenos Aires*
2007 Be (com)ing Dutch - Caucus, Van Abbemuseum, Eindhoven
(International Meeting)
2007 Regional Meeting of Art, Visual Art Museum, Montevideo
2006 RIAA, Ostende * (International Artist Residency)
2002 Kaus Australis, Rotterdam (International Artist Residency)
2001 Big River 2, CCA, Port Spain* (International Artist Residency)
2000 Studios Duende, Rotterdam (International Artist
Residency)
1997 National Grant, Fondo Nacional de las Artes, Argentina
1997/6 Grant Fundación Antorchas, Taller de Barracas,
Argentina
1997 Mención Especial, Premio Gunter Pintura, Museo Nacional de Bellas Artes
1994 Medalla de Plata Premio CAYC-Klemm a la Joven Generación
SELECTED INDIVIDUAL EXHIBITIONS
2019 Parque de la Memoria, Buenos Aires*
2018 Fundación Proa (intervention), intervention, Buenos Aires
2017 Henrique Faria gallery Buenos Aires
2015 Mirta Demare International Visual Art, Rotterdam
2012/13 Museum of the Political Economy of Art, Henrique Faria gallery New York/Buenos Aires
2012 Action-Instruments Box, Arco Solo Project, Mirta Demare
International Visual Art, Madrid*
2009 Art&Capital [Conversazioni, Suite Auction Drawings,
Errata], dispari&dispari project, Reggio Emilia
2009 Archeology, Laws and Contract, Art and Political cabinet,
Arcimboldo Gallery
2008 Topologies, Mirta Demare International Visual Art, Rotterdam
2006 Conversations in Alice-Ville, MAC-UNaM Museum of Contemporary
Art – National University of Misiones *
2005 Alice-Ville, MACRO, Contemporary Art Museum of Rosario,
Argentina*
2002/3 Herrerías, Luisa Pedrouzo Gallery, Buenos Aires*
2002 Film, Mirta Demare International Visual Art, Rotterdam*
1998 Enchanted Landscape, ICI, Cultural Iberoamerican Institut,
Buenos Aires*
1997 My Booty, Cultural Center Ricardo Rojas, Buenos Aires
1997 Romantic, Patricios Bank Foundation, Buenos Aires*
1995 Violaciones domésticas, Centro Cultural de la Ciudad de Asunción, Paraguay*
1994 Violaciones domésticas, Giesso Space, Buenos Aires*
1992 Alicia Herrero, Giesso Space, Buenos Aires*
1991 Alicia Herrero, Recoleta Cultural Center, Buenos Aires*
1986 Alicia Herrero, Hilda Solano Gallery, Buenos Aires.*
SELECTED GROUP EXHIBITIONS AND
PROJECTS (*indicates publication)
2019
Ellas, Herlitzka+Faria, Buenos Aires
SNAV19, Casa Bicentenario
Premio Fundación Fortabat 2019 (First Prize winner)*
ArtBo, Herlitzka+Faria, Bogotá
Tácticas Luminosas, Fortabat Collection, Buenos Aires*
ArteBa, Herlitzka+Faria, Buenos Aires
Este Arte, Herlitzka+Faria, Punta del Este
Originales Múltiples, Centro Cultural Recoleta and galería Atocha y Estampa Buenos Aires
2018
Untitled, Henrique Faria gallery, Miami
Salon Nacional de Artes Visuales, Casa del Bicentenario, Buenos Aires
Resistencias Tipográficas, Centro Cultural de la Cooperación Floreal Gorini, Buenos Aires
Democracia en Obra, CCK, Buenos Aires
Quincena del Arte en Rosario, Henrique Faria gallery, Rosario
ArteBA, Henrique Faria gallery, Buenos Aires
Arco, Henrique Faria gallery, Madrid
2017
Untitled, Miami, USA
Frontera, Buenos Aires, Argentina
I BIENALSUR, Buenos Aires, Argentina (2017)*
BERGMAN 2017, Mucho por descubrir, Cultural San Martín, Buenos Aires. 2017
Paraguay Printed Art Fair MACMO Museum (Revista Museo)Ruth Benzacar gallery, Buenos Aires
2016
ArteBa-La Arenera, Henrique Faria gallery New York/Buenos Aires
Klemm Prize, Klemm Fundation, Buenos Aires
Casa Tomada, Informe Capital, intervention, Casa del Bicentenario, Buenos Aires
Public Considerations, a Symposium in Three Acts, Art, Education and Posteducation in the Radical South, Instituto Escuela Nacional de Bellas Artes and Paraninfo Facultad de Derecho, Universidad de la República , organized by Museo de Arte Contemporáneo de Montevideo.
El Informe RB (Responsabilidad Bancaria), mini opera at ATTACA - Asamblea de trabajadores Autoconvocados de la Cultura, 40 años del Golpe Corporativo-Cívico-Militar Argentina, Plaza de Mayo and Ni una Menos, demostration Congreso-Plaza de Mayo, Buenos Aires
It's the Political Economy, Stupid, exhibition, DAAP Galleries at the University of Cincinnati, USA
Women in the Visual Arts, exhibition, Museo de Artes Visuales, Quilmes
2015
Commisioned Art project exhibition DordtYart, Dordrecht
Objects of desire, exhibition at Mirta Demare International Visual Art Rotterdam
EL INFORME C, performative lecture, Informe Capital publication launch, Museum of the Book and Language / National Library //Museo del Libro y de la Lengua /Biblioteca Nacional, Buenos Aires
2014
It’s the Political Economy, Stupid, exhibition, NeMe Arts Centre, Limassol, Cyprus
Nuevos Soportes e Instalaciones (New Media and Installations), 103º Salón Nacional de Artes, Palais de Glace, Buenos Aires*
It’s the Political Economy, Stupid, exhibition Galerija Nova March 12/May 03/2014 Zagreb, Croatia
MAC-UNaM, exhibition Curator Francisco Ali Brouchoud, Museo Provincial "Juan Yaparí", Posadas*
Los monstruos geniales, Oficina Proyectista, Buenos Aires
2013
The Crisis and alternatives, It’s the Political Economy, Stupid, Center for Cultural Decontamination in Belgrade organized by Rosa Luxemburg Foundation (South Eastern Europe branch), exhibition, Curators Oliver Ressler and Gregory Sholette*
MAC-UNaM, exhibition Curator Francisco Ali Brouchoud, Museo Provincial "Juan Yaparí", Posadas*
It’s the Political Economy, Stupid, exhibition, Curators Oliver Ressler and Gregory Sholette, Gallery 400/Univ. of Illinois
Chicago*
MAC-UNaM, exhibition, Curator Francisco Ali Brouchoud, Fondo Nacional de las Artes, Buenos Aires*
Arte & Capital, performative-talk, Curator Lorena Peña Brito, MURA, Guadalajara, México
It’s the Political Economy, Stupid, Pori Art Museum,
Finland, Curators Oliver Ressler and Gregory Sholette*
El Andar Oblicuo (Olique Walking), exhibition - Curator Karina Granieri, Centro Cultural Arnaldo Conti (ex concentration camp), Buenos Aires
4 Artists and 11 Questions to Marta Minujin, Henrique Faria gallery New York/Buenos Aires
Fotocopia Europea (European Photocopy Festival), Reggio Emilia*
Some Artists, Proa Foundation, Buenos Aires*
Orgión Berlin, exhibition, Oficina Proyectista - Kotti-Shop, Berlin
MasterPlan projects and artists in residence, Report - Live Interview - Dramaturgy - Activism - Films - Performative-Talk
LiPac-Laboratory
of Investigation into Contemporary Art Practices (coordination/oganization/concept), Mondriaan Fonds. Centro Cultural Ricardo Rojas, Universidad de Buenos Aires
ArtLima, Action- Instruments Box, Mirta Demare International
Visual Art, Lima
ArteBA, Henrique Faria gallery New York/Buenos Aires
Pinta London, Mirta Demare International
Visual Art, London
2012
It’s the Political Economy, Stupid, Curators Oliver
Ressler and Gregory Sholette, Austrian Cultural Forum New
York*
It’s the Political Economy, Stupid, Centre of Contemporary
Art en Thessaloniki curators Oliver Ressler and Gregory Sholette,
Coordinators Areti Leopoulou, Theodore Markoglou*.
“L’étincelle qui met feu à la plaine”.
Othe visible things, Curator Mabel Tapia, Centro Ecuatoriano
de Arte Contemporáneo - CEAC, Quito
New Acquisitions Action-Instruments Box, Malba -
Latin American Art Museum of Buenos Aires *
10th Anniversary celebration, Action-Instruments Box,
Demare International Visual Art, Rotterdam
Auctions, Market & Money series, Demare International
Visual Art, ArteBA, Buenos Aires
Orgión, Oficina Proyectista, Buenos Aires
MasterPlan, Grant of Laboratory of Investigation in Contemporary
Artistic Practices, CCRRojas-University of Buenos Aires and
Mondriaan Fonds
Public Consideration, a Symposium in Three Acts, book presentation
at: Eyebeam - Art + Technology Center, New York; Medialab
Prado, El Ranchito-Matadero, Traficantes de Sueños,
Madrid; Centro Cultural Rojas and La Dársena, Buenos
Aires
2011
8th Mercosul Biennial, Curator Ignacio Roca, Porto Alegre,
Brasil*
Documents for an Imperfect Future, Curator Esteban Alvarez,
El Paqueadero, Bogota, Colombia*
Informe País (Report Country), GAM, Gabriela Mistral
Center, Santiago de Chile*
Auctions, Market & Money, ArteBA, Mirta Demare
International Visual Art, Buenos Aires
Public Considerations, a Symposium in Three Acts,
Act III: E.M.A.N.C.I.P.A.T.I.O.N. performative-talk at auditorium
of Argentinean Parliament, Congreso Nacional, Buenos Aires,
June 21 /2011*
X200 MÁS, Centro Cultural Recoleta, Buenos Aires*
Culture Secretary, public action at several locations
in Buenos Aires City, Plaza de Mayo, Buenos Aires*
2010
Guest of Honor Argentina 2010, Frankfurt book fair, Errata Book,
Frankfurt*
Fake, Partició_2.0,Modem Center of Modern and Contemporary
Art, Debrecen, Hungry*
Documents for an Imperfect Future, Fondo Nacional de las Artes,
Buenos Aires*
Public Consideration, a Symposium in Three Acts,
Act II: Bank: Art & Economies, performative-talk
at the auditorium of Banco Nacional Argentino (Argentinean
central office of the National Bank), November 9/2010*
Same/Different, Culture Secretary, ECUNHI, ex ESMA, Buenos
Aires
Flows! (Capital Flows!), Magazine in Situ, edition#7, London
Actions of Suite Auction Drawings at Sotheby's and
Christie's, London
Resumen: Aparato Reproductor, exhibition, Radio FM La Tribu,
Buenos Aires
Auctions, Market and Money, ArteBA, Mirta Demare International
Visual Art, Buenos Aires
Device Player, FM Radio La tribu, Curator Sofi Sagle, Cultural
Center Ricardo Rojas - University of Buenos Aires - UBA
LiPac, with Minerva Cuevas, Ibon Aramberri, Margarita Paksa
and other participants. Laboratory of Investigation in Contemporary
Artistic Practices, Cultural Center Ricardo Rojas- University
of Buenos Aires - UBA*
Aparato Reproductor, exhibition, Cultural Center Ricardo Rojas
Gallery, Buenos Aires
Public Consideration, a Symposium in Three Acts
- Act I: Art and Knowledge, Re-localization, tables
works, performative-talk in the auditorium of Cultural Center
Ricardo Rojas-University of Buenos Aires - UBA, August 11/2010*
Pinta, Miirta Demare International Visual Art, London
Event presentation of the publication: LiPac 2010 projects,
Flight-Sites-Politics, Centro Cultural Rojas, University of
Buenos Aires*
Conversartions-Art & Capital project, performative-workshop,
Cittadellarte (International Artist Residency), Pistoletto
Fondazione, Italy
2009
Art Biennial of Bogota, Museum of Modern Art, Bogotá,
Colombia*
Suite Auctions Drawings, Arco09, Mirta Demare International
Visual Art, Madrid, España
The Commissures of La Boca, Proa Foundation, Buenos Aires
20 Years of Visual Arts, Curator Valeria Gonzalez, Cultural
Center of Ricardo Rojas and Cultural Center of España,
Buenos Aires*
Actions of Suite Auctions Drawings at Sotheby's and
Christie's, London and Milan
Flows! (Capital Flows!), Magazine in Situ, edition#7,
in collaboration with Rana Hamadeh, Tony Chakar (The Atlas
Group member), Bar Time Out - Monot - Beirut*
Minigarden at contemporary art Gallery, Curator Silvia Litardi,
collective intervention, Dispari & Dispari gallery, Reggio
Emilia, Italy
Flows! (Capital Flows!), Magazine in Situ, edition#7,
in collaboration with Collettivo Sottotetto, Reggio Emilia,
Italy
Just Steps from La Rural, Curator Cristina Schiavi and Juan
Tessi, Mac Morgan Pérez gallery, Buenos Aires
Flows! (Capital Flows!), Magazine in Situ, edition#7,
in collaboration with Miren Jaio, Asier Mendizabal, Gabriel
Villota Toyos, Oier Etxeberria, María Mur and other
participants, Anti space and Bar Marzana, Bilbao*
Culture Secretary, public actionat at several locations
in Buenos Aires City, Buenos Aires*
Festival VHS/Video, Menu a la Carte, Studio Augusto Zanella,
Buenos Aires
Mi Ranchito, Cristina Schiavi and Juan Tessi, Mark Morgan
Pérez garage, Buenos Aires
LiPac, with Marta Minujin, Joop van Lieshout, Raimond Chaves,
Lara Almarcegui, and other participants. Laboratory of Investigation
in Contemporary Artistic Practices, Cultural Center Ricardo
Rojas- University of Buenos Aires - UBA
Suite Auction Drawings, Mirta Demare Gallery, Arco09,
Madrid *
2008
Be(com)ing Dutch - Curators : Charles Esche and Annie Fletcher,
Van Abbe Museum, Eindhoven*
Intermodem, Curator Ábel Konya, Modem Center of Modern
and Contemporary Art Debrecen, Hungary*
Flows! (Capital Flows!), Magazine in situ, edition
#7, in collaboration with Karina Granieri, Katharina Schlieben
and Narda Alvarado, Sao Paulo*
Two public actions of Suite Auctions Drawings at
Sotheby´s and Christie´s, London
Artist´s Books, Archimboldo Gallery, ET Art Fair, Buenos
Aires
Flows! (Capital Flows!), Magazine in situ, edition
#7, in collaboration with Daniela Swarovsky and Lara Almarcegui,
Rotterdam*
LiPac, with Dora García, Nina Möntmann, Katherine
David, Fran Ilich, Alejandro Grimson, Jorge Macchi, Gustavo
Romano, and other participants. Laboratory of Investigation
in Contemporary Artistic Practices, Cultural Center Ricardo
Rojas- University of Buenos Aires - UBA
Flows! (Capital Flows!), Magazine in situ, edition
#7, in collaboration with María Fernanda Cartagena,
Paco Salazar , Ulises Unda, Bar of Contemporary Art Center,
Quito*
Flows! (Capital Flows!), Magazine in situ, edition
#7, in collaboration with Nina Möntmann and Teresa Riccardi,
Bar La Carcova, Buenos Aires*
2007
Rethinking Dissent, Goteborg International Biennial, Goteborg,
Sweden*
Biennial The End of the World, Ushuaia Biennial*
Toronto Fair Art, Lilian Rodriguez Gallery, Toronto, Canada
Intermodem, Intermedia Festival and exhibition, Curator Ábel
Konya, Debrecen, Hungary*
La casona en el Recoleta, Curator Marcelo de la Fuente, Cultural
Center Recoleta, Buenos Aires
Video Arte Club, curator Cristian Segura, Florencia Loewenthal
Gallery, Santiago de Chile
Resplandores, Curator Rodrigo Alonso y Graciela Taquini, Cultural
Center Recoleta, Buenos Aires
a.i.r. (Actions, Investigations, Re-reading), Curator Gustavo
Romano, CCEBA - Cultural Center of Spain in Montevideo*
Let’s Dance, video program by Marcio Harum, Filmvorführung,
Frankfurter Kunstverein, Frankfurt
a.i.r. (Actions, Investigations, Re-readings), Curator Gustavo
Romano, CCEBA - Cultural Center of Spain in Buenos Aires and
Córdoba
The Paradigm Confines Tour, Magazine in Situ, edition
#6, The End of the World Biennial, in collaboration with :
Ricardo Basbaum, Jaime Iregui, Miren Jaio, Bill Burns, Francisco
Ali- Brouchoud, Carla Zacagnini, Ushuaia*
The Paradigm Confines Tour, Video version, NBP project
by Ricardo Basbaum, Documenta 12 Kassel Nodos project, ArteBA,
Buenos Aires*
2006
Living, Magazine in situ, Culture & Media, Curator Graciela
Taquini, Cultural Center San Martín, Buenos Aires
05982:01, Magazine in situ, Curator Fernando Lopez Lage, FAC,
Contemporary Art Foundation, Montevideo.
Mise en scène: an approach to the institutions,
Magazine in Situ, edition #5 in collaboration with Alejandro
Cesarco, FAC, Contemporary Art Foundation, Montevideo.
Perform_ipa, Museu Cruz e Sousa, Universidade do Estado de
Santa Catarina, Florianopolis, Brazil
MACRO Collection, Curator Fernando Fariña, Museum of
Contemporary Art, Rosario, Recoleta Cultural Center, Buenos
Aires
Interferences at ArteBA, Magazine in situ, ArteBa edition
#4, in collaboration with, Fernando Lopez Lage, Gustavo Romano,
Francis Alÿs, Belén Gache, Buenos Aires
Fiction, microcinema Viejo Hotel Ostende, Abierto RIAA, International
Artist Residency in Argentina, Ostende.*
Collectives of Buenos Aires, exhibition, Vassari Gallery,
Buenos Aires
2005
Art Frankfurt, Ruta Correa Gallery, Frankfort*
Paperworks, Mirta Demare International Visual Art, Rotterdam
The problematic of gender in contemporary Latin American production,
Curators: Ana Tiscornia and Patricia Betancour, Cultural Center
of España, Montevideo *
Art Week, MACRO, Museo de Arte Contemporáneo, Curator
Fernando Fariña, Rosario
Implícito-explicito, Curator Graciela Taquini, El Borde
Gallery, Buenos Aires
Re-reading of the MAMBA Collection, Curator Laura Buccellato
MAMBA, Museum of Modern Art, Buenos Aires*
Asunción del video, Curator Graciela Taquini, Argentina
Embassy, Asunción, Paraguay
Alón Collection, Alón Foundation, Buenos Aires
Certamen Iberoamericano de Pintura 2005, CAIC, Borges Cultural
Center, Buenos Aires*
Periférica, Alertart, Curator Marcela Rommër,
Borges Cultural Center, Buenos Aires
Visual Art Prix, OSDE Foundation, Buenos Aires
Bola de Nieve, Galería virtual, Start Foundation, www.boladenieve.org
2004
Reduced Model, Curator Horacio Zabala, Cultural Center of
Spain, Buenos Aires*
Asunción del video, Curator Graciela Taquini, Cultural
Center of Spain, Asunción, Paraguay
Hábitos, Curator Mónica van Asperen, Estudio
Abierto, (Palacio Barolo) Ciudad Autónoma de Buenos
Aires*
The Secret, micro-space 1, Curator Belén Gache, display-window
intervention, Spain Centro Cultural en Buenos Aires*
Zoom project, Curators: Graciela Taquíni, Gaston Duprat,
Mariano Kohn, video, 5” for television, Ciudad Abierta
Channel, Culture Secretary of Buenos Aires city.
Limb0 Prix, Curator Laura Buccellato, MAMBA – Museum
of Modern Art, Buenos Aires*
2003
Alltag und Vergessen, video-installation, Curator Andreas
Fanizadeh and Eva Meier, NGBK, Neue Gesellschaft für
Bildende Kunst Berlín and Rothe Fabrik, Shedhalle,
Zurich*
Drawing´s Biennial 2003, Curator Marcelo de la Fuente,
Casona de los Olivera, Buenos Aires*
Al plato, Curator Liliana Piñeiro, Recoleta Cultural
Center, Buenos Aires
Artists from the ‘90, National Fund of Art, Arte BA,
Buenos Aires
Contemporary Biennial of Bahía Blanca, Curator Andres
Duprat, Contemporary Art Museum, Bahía Blanca, Argentina.*
Trap and Simulation, Curator Graciela Taquini, Victoria Ocampo
Cultural Center, Mar del Plata, Argentina*
2002
Chat, Meeting places, Curator Cris Dercon, Boijmans van Beauningen
Museum Rotterdam.*
Bairon-Herrero-Van Aspen, Mendes Contemporary Art Center,
Rio de Janeiro.
Art Electronic Cycle, Curator Laura Buccellato, MAMBA –
Museum of Modern Art, Buenos Aires.
Video Emergency, Curator Graciela Taquini, Mopt Contemporary
Art Center , Mar del Plata, Fine Art Museum, Mendoza.
Last Tendencies, Curator Laura Buccellato, MAMBA – Museum
of Modern Art, Buenos Aires.*
Trap and Simulation, Curator Graciela Taquini Tabella, Subte,
Cultural Center, Montevideo.*
Arco02, Luisa Pedrouzo Gallery and Mirta Demare International
Visual Art, Madrid.*
The Toys of Icaro, Curator Lilian Llanes, Centro Wilfredo
Lam and Comunita Valencia, Cultural Center Recoleta, Buenos
Aires.*
Into Back-Stage, Ruta Correa Gallery, Frieburg, Germany.*
Film, Mirta Demare International Visual Art, Rotterdam.*
Unfair Tale project, with Raimond Chaves, Witte Plein, Amsterdam
02-02-02
ICI Patrimony, Cultural Center of Spain, Buenos Aires*.
The ground assault, Curator Ana María Battistozzi,
Estudio Abierto, Casa de la Cultura, Buenos Aires.*
2001
Chat, Meeting Places, Curator Cris Dercon, Boijmans van Beuningen
Museum Rotterdam.*
Inventory - It's a Jungle Out There, CCA - Contemporary Centre
Art, Trinidad.*
Expo-inagural 1, Luisa Pedrouzo Gallery, Buenos Aires.*
Bienal de Arte Contemporáneo, Museo de Arte Contemporáneo
de Bahía Blanca.*
Arco, Feria Internacional de Arte Contemporáneo, Mirta
Demare International Visual Art, Madrid.
2000
Szene Buenos Aires, Dotternwerk Museum, Dottenhausen.*
Herrero, Duende International Program, Rotterdam.
1999
Szene Buenos Aires, Ruta Correa, Freiburg.*
Szene Buenos Aires, Art Frankfurt.*
Premio Fortabat de Pintura, Museo Nacional de Bellas Artes,
Buenos Aires. *
Bienal Nacional de Arte, Museo de Arte Contemporáneo,
Bahía Blanca.*
Colección Dr. Gustavo Bruzzone, Arte de los 90, Centro
Cultural Ricardo Rojas, Buenos Aires.
Transliminares, Fondo Nacional de las Artes, Buenos Aires.*
Centro Cultural Rojas en la Patagonia, en Museo Universidad
de la Patagonia, Ushuaia.*
"en síntesis”, Espacio Giesso-Reich, Buenos Aires.
1998
Balance’ 98, Fundación PROA, Buenos Aires.*
Homenaje Niní Marshal, Fundación Banco Patricios,
Buenos Aires.
1997
[en tránsito] Señales Presentes, Museo del Chopo,
México.*
Homenaje a Ana Frank, Museo de Arte Contemporáneo,
Bahía Blanca.*
200 x 200, Centro Cultural Recoleta, Buenos Aires.
Premio Fortabat, Museo Nacional de Bellas Artes, Buenos Aires.*
Premio Gunther, Museo Nacional de Bellas Artes, Buenos Aires.
Premio Novartis, Museo Nacional de Bellas Artes, Buenos Aires.*
1995
Violaciones domesticas, Herrero-López-Schiavi, Centro
Cultural de Asunción, Paraguay.*
Libro de Artista, Centro Wilfredo Lam, La Habana.
Premio Fortabat, Centro Cultural Recoleta, Buenos Aires.*
Galería Parafernalia, Lima.
Libro de Artista, Bookstore, Buenos Aires.
Pobre pero limpita, pub-discotheque Ave Porco, Buenos Aires.
1994
Vivir sin Paredes, S/T curator Ana Gallardo, public space:
Florida y Paraguay, Buenos Aires.
Herrero Propiedades (Inmobiliaria), S/T, curator Ana Gallardo,
Loft Giesso, Buenos Aires.
Violaciones domesticas, Herrero-López-Schiavi, Espacio
Giesso, Buenos Aires.*
V Bienal de La Habana.*
Premio CAYC-Klemm, Centro Cultural Recoleta, Buenos Aires. *
99 Cajas, Galería Filo, Buenos Aires
1993
Erotizarte, Centro Cultural Recoleta, Buenos Aires.
Museo Bastión del Carmen, Hilda Solano, Colonia.
1992
XII Jornadas Internacionales de la Critica, Voces Emergentes, CAIC, Buenos Aires.
Nueva Imagen para la Vieja América, Palláis de Glase, Buenos Aires y Museo de Bellas Artes de Mendoza
Gráfica Alternativa III, Museo Sivori, Buenos Aires
500 Anos de Represión, Centro Cultural Recoleta, Buenos Aires
Octubre/500 años
Parakultural, Buenos Aires
1991
Dando color al fruto, co-organizado con Ana Lopéz, Parakultural, Buenos Aires.*
Premios: Fortabat*, Gunther, Blades, Hoechst, La discriminación, Centro Cultural Recoleta and CAIC, Harrod's en el Arte, Buenos Aires.
FABA, Feria de Arte de Buenos Aires, Álvaro Castagnino gallery, Buenos Aires.
Inform Art, Pueblo Blanco, Punta del Este.
1990
Genero Femenino, Profesión Artista Plástica, Museo de Arte Moderno, Buenos Aires.*
Bienal M. Chandon, Museo Provincial de Bellas Artes de Mendoza, de Salta, de San Juan, Santa Fe and Municipal de Bahía Blanca.
Salón Nacional de Artes Plásticas, Museo de Bellas Artes, Córdoba.
1989
Premio Manliba, CAIC, Centro Cultural Recoleta, Buenos Aires.
Bienal M. Chandon, Museo de Arte Moderno. Buenos Aires.
1988
Premio A. Shaw, Academia Nacional de Bellas Artes, Fundación Fortabat, Buenos Aires.
1986
Bienal Latinoamericana de Arte sobre Papel, Palláis de Glase, Buenos Aires, Museo Provincial de Mar del Plata.
Premio, Beca Grabado, Museo de Arte Moderno, Buenos Aires.*
Premio Braque, Centro Cultural Recoleta, Buenos Aires.
Salón Municipal Manuel Belgrano (86,87,92,94), Museo Sivori, Buenos Aires.
1984
Inter-grafik, NGNK, Berlín.*
PROJECTS
Since 2019 Ensayos sobre un Tribunal. Al poder de la economía política
Since 2013 Ensayos sobre un Tribunal (guión)
Since 2014 Informe Capital
Since 2012 Surplus-value
2012 Errata- Catalogue
Since 2012 Museo
de la Economía Política del Arte
Since 2012 MasterPlan,
Laboratorio de Investigaciones en Prácticas Artísticas
Contemporáneas, Centro Cultural Rojas, Universidad
de Buenos Aires
2011 Action-Instruments
Box
2010-2011 Public
Considerations, a Symposium in Three Acts
Since 2010 El Viaje
Revolucionario! The Revolutionary Journey!.A
Navigated Novel.
Since 2009 Auctions,
Market & Money
Since 2008 Legality/Essay for a Tribunal
Since 2008 Suite Auction
Drawing
Since 2007 LiPac
- Laboratorio de Investigaciones en Prácticas Artísticas
Contemporáneas, Centro Cultural Rojas,
Universidad de Buenos Aires
Since 1998 Errata
Since 2004 Magazine
in Situ
From 2003 to 2006 EPA!!
Since the mid-1990s Art
& Capital series
2010- 2011
Public Considerations,
a Symposium in Three Acts , performative-talks
at University, Bank and Parliament. Participants: Not Made
In China, Grupo De Arte Callejero, Iconoclasistas, Laboratorio
Audiovisual Comunitario, La Dársena_Plataforma De Pensamiento
e Interacción Artística, Revista Underground,
Instituto Universitario Nacional de Arte, Mujeres Públicas,
Artes Visuales con Cristina, Colectivo La Tribu, Elclu , Minerva
Cuevas, Ibon Aramberri, Alicia Gutierrez, Claudio Katz, Alfredo
Zaiat, LAIR, Karina Granieri, Axel Cherniavsky, Pio Torroja,
Natalia Rizzo, Laboratorio de Investigaciones en Prácticas
Artísticas Contemporáneas, Centro Cultural Rojas,
Universidad de Buenos Aires
Since 2009 Culure Secretary (Secretaría de Cultura),
public actions in different locations in Buenos Aires
2008
Capital´s Flows-Magazine
in situ, edition #7, in
several cities.
deNationality,
an experiment/State of Translocality(Be(com)ing Dutch, Vanabbemuseum,
Eindhoven, 2008).
LiPac,
Laboratory of Investigation in Contemporary Artistics Practices. Ricardo
Basbaum, Jorge Macchi, Catherine David, Fran Ilich, Teresa
Riccardi, Esteban Alvarez, Mara Fachin / Centro Cultural Rojas,
Universidad de Buenos Aires
2007
LiPac,
Laboratory of Investigation in Contemporary Artistics Practices.
Lectures: Dora Garcia/ Anne Kersten/ Kalle Brolin/Kristine
Muntzing/Conversation with Liliana Porter/Seminary by Gonzalo
Aguilar/Filmprogram selected by Andres Di Tella/Conferencia
José Luís Brea / Centro Cultural Rojas, Universidad
de Buenos Aires/ Universidad de Buenos Aires
The
Paradigm Confines Tour, Magazine in situ,
edition # 6, The End of the World Biennial, Ushuaia.
2006
HuespEDid, EPA!! 4(CCRojas-Universidad de
Buenos Aires), office - documents - projections - djs , Casa
Guagnini, Buenos Aires Mise en Scène: An Approach to
the Institutions, Magazine in situ, in collaborations
with: Alejandro Cesarco, Jackeline Lacasa, Fernando López
Lage, artworks from: Andrea Fraser, Rirkrit Tiravanija, Guy
Debord, Rene Vienet, Juan Molina y Vedia , among others, fac,
Montevideo.
Conversations in Alice Ville, Museo de Arte
Contemporáneo Misiones
Interferencias en ArteBA, Magazine in situ,
ArteBA, Buenos Aires. Activities: Talks: Romano, Herrero,
Forcadell, Cippollini, Gache, Ali Brouchoud, M7red. Pages:
León Ferrari, Horacio Zabala, Mirta Dermisache, Raimond
Chaves, Gustavo Romano, among others. Casting, in collaboration
with Gabriela Francone (video recorder).
2005
Alice-Ville,
Museo de Arte Contemporáneo Rosario-MACRO
Magazine in situ
- Backstage. A alive and web magazine, Magazine in situ
was presented in several locations and different ways. This
edition - Backstage - took place in the port of Buenos Aires
city, in collaboration with Centro Cultural de España
Buenos Aires, Estudio Abierto, Belén Gache, Fernando
López Lage, Santiago Tavella + Gustavo Romano + artists,
curators and authors: Ricardo Basbaum, Transnational Republic,
Antoni Muntadas, Jacqueline Lacasa, Miren Jaio, Luis Camnitzer,
Juliana Rosales, Javier Abrew, Dani Umpi.
EPA!!,
Experiencias 3 (afuera), interventions -performances-laboratories,
Puerto Madero (a new district in Buenos Aires city), project
in collaboration with participants from Proyectos de Arte,
Orientación y seguimiento seminar, 2005 + Education
program - Centro Cultural Rojas Universidad de Buenos Aires-
UBA + Estudio Abierto, Buenos Aires.
2004
I’m here is an existential affirmation
of the unique, singular and finite life of each persons over
the structures that spread to dissolve the individual subject.
The phrase “I’m here” is like a trace on
the things and places that surround the human body: computers,
houses, clothes, messages, writings. Presentation
in different locations: exhibition León Ferrari 2004,
Centro Cultural Recoleta. Alice Ville 2003, MACRO, Museo de
Arte Contemporáneo Rosario.
Magazine in situ - Re-vista Espacios y Límites,
is a live and a web magazine, presented in several locations
and in different ways, CCEBA - Centro Cultural of Spain, Buenos
Aires.Invited artists, curators and authors: Margarita Paksa,
Horacio Zabala, Belén Gache, Mara Facchín, Rafael
Cippolini (www.magazineinsitu.com)
EPA!!, Experiencias 2: OFICINA, situational
experience in a orderly room. Project in collaboration with
participants from Proyectos de Arte: Orientación y
seguimiento 2005, + Education seminar -Centro Cultural Rojas,
Universidad de Buenos Aires- UBA. + Estudio Abierto, Buenos
Aires (www.experiencia2oficina.com.ar)
Alicia Herrero Producciones Culturales presenta...
, A H P C investigates ways of, distribution and publics presentations.Invited
artists: Horacio Zabala, Mara Facchín y Mariano Vilela,
Microespacios del CCEBA - Centro Cultural de España
Buenos Aires.
2003
DeNationalization, departs from the idea
that all nationality is an artificial and ideological identity.
It proposes that people can renounce their nationality without
assuming another, and then reconstruct their history/story
from other points of view.
EPA!!, Experiencias 1: Procesos Abiertos-un
blanco, in collaboration with Leandro Torres + Centro Cultural
Rojas + Hospital de Infectología Muñiz + Pablo
Pérez, Marta Dillon, Diego Melero, Paco Maglio, Monica
van Asperen, Victoria Barreda, Graciela Ciampini (www.experiencia2oficina.com.ar)
Set: 10 Questions to Curators/Cultural Activist,
flyers – intervention, Contemporáneo 7, Formas
de Pensar, MALBA, Museo de Arte Latinoamericano Buenos Aires.
2002
Unfair Tale with Raimond Chaves, kiosk, banners,
documentation and action, against the wedding between prince
Wilheim Alexander and Maxima Zorreguieta, 02-02-02 Witte Plein,
Amsterdam, Holland. (Ramona magazine N° 41)
2000-2002
Chat, interactive flyers, video, installation,
in collaboration with residents of different neighborhoods
of Rotterdam city + Gert Rietveld + Jorge Haro + Pablo Pérez
+ Tamara Stuby + Mirta Demare + Duende Studios, Boijmans van
Beuningen Museum Rotterdam.
2001
It’s a Jungle Out There, guided tour
of different locations in Grande Riviere, Trinidad, Big River
2 International Workshop
2000
Jueguito, interactive flyer, in collaboration
with Gert Rietveld from Duende Studios, Rotterdam.
1999
Cacerolazo, sticker-flyers produced on the
occasion of the first two-day-long workers’ strike,
café Ramona, Buenos Aires.
1996
Changing New Rags for Old, urban action in
different districts of London. These towels served as sculptural
material to build small British colonial houses.
1994
Vivir sin Paredes,performance + object +
photo + interview, like part S/T, “la casa” project,
Curator Ana Gallardo, Florida and Paraguay, Buenos Aires.
1994
Herrero Propiedades (Real Estate Agency),
sale of houses, intervention-installation, S/T, Curator Ana
Gallardo, Loft Giesso, Buenos Aires.
1995
Pobre pero limpita, intervention, Ave Porco
pub-discotheque, Buenos Aires.
1993
La Toma, inspirited by personal experience
with social centers (squoters) in Italy. The project sought
to create a meeting space for artists based on a platform
of autonomy. Participating visual artists, musicians, actors
included Liliana Maresca, María Inés Aldaburu,
Ana López, Omar Viola, Feliciano Centurión,
Carmen Baliero, Orge, Luis Simbrotsky, Norberto Gómez,
Fernando Bedoya, Diego Fontanet and many others, Buenos Aires.
1992
Se come lo que se dice y se dice lo que se come,
with Sara Rosemberg, performance in opposition to the 500th
anniversary of the Discovery of America, Parakultural, Buenos
Aires
1991
Dando color al fruto, with Ana López,
exhibitions, video projections, musical and other performances,
installations, poetry. Participants: Talleres de la Beca Kuitka,
Batato Barea, Coco Bedoya, Boy Olmi, Alfredo Casero, Feliciano
Centurión, Las gamba al ajillo, etc. (30 artists),
Parakultural, Buenos Aires.
1991
El deseo es una frutilla madura, installation
- performance, Dando color al fruto, basement, Parakultural,
Buenos Aires.
1983
Along with other young artists, founded the independent Asociación
de artistas plásticos de Quilmes (Association
of Visual Artists of Quilmes), and organized different exhibitions
and events.
1982
No a la Guerra, Distribution of flyers against
the Malvinas War in public spaces, Rivadavia and Alvear, Quilmes
Preparation of flyers and performance, No a la Guerra exhibition,
distribution of flyers against the Malvinas War in art spaces,
Manzana de las Luces, Buenos Aires.
1981-82
For a year, organized visual art exhibitions for the Art Departament
of Centro Cultural Cooperativa Credicoop de Quilmes. Collaborated
with the writer and psychoanalyst and writer Daniel Navarro
in the Center’s Film Program. Also organized shows and
public art presentations against the Malvinas War.
PUBLICATIONS
2014 Informe Capital, Grant of Fondo Nacional de las Artes, 2013
2011 Book of 1500 copies: Public
Consideration, a Symposium in Three Acts, CCRR-Universidad
de Buenos Aires, Libros del Rojas, distribution by Editorial
Eudeba
2011 Publication of 5000 posters and 5000 postcards for The
Revolutionary Journey!, 8th Mercosur Bienal, Porto Alegre
2011 Publication of 1000 posters and 1000 postcards for The
Revolutionary Journey!, Informe País, GAM, Santiago
de Chile.
2010 Publication of 1500 copies of LiPac Cierre projects –
CCRRojas - UBA
2010 Publication of 1000 postcards for The Revolutionary Journey!,
Documents For an
Imperfect Future, Fondo Nacional de las Artes,
Buenos Aires y El Parqueadero, Bogotá
2009 Limited publication of “Capital Cultural”,
exhibition Las Comisuras de La Boca, PROA, Buenos Aires
2007 Magazine in situ - The Paradigm Confines Tour-Ushuaia
(edition # 6)
2006 Magazine in situ – Interferenecias en ArteBA-Buenos
Aires (edition # 4) Puesta en escena: una aproximación
a las instituciones-Montevideo (edition # 5)
2005 Magazine in situ-a live and a web magazine, (edition
# 3) Backstage, location: Buenos Aires city port, with support
from Estudio Abierto and Centro Cultural de España
Buenos Aires www.magazineinsitu.com
2004 Magazine in situ- a live and a web magazine, edition
# 1 y 2, Re-vista Espacios y Límites location: CCEBA
– Centro Cultural de España Buenos Aires www.magazineinsitu.com
2003 Set of questions for curators/cultural activists, publication
in flyer form, distributed during the opening Contemporáneo
7, Formas de pensar, MALBA; Museo de Arte Latinoamericano
Buenos Aires.
2002 Cuadernillos de Caligrafía 1, self-published,
Buenos Aires.
2000 Chat, edition of 1000 interactive flyers, Mirta Demare,
Rotterdam.
1999 Cacerolazo sticker-flyers produced on the occasion of
the first two-day-long workers’ strike, self-published,
Buenos Aires.
COLLABORATIONS
2019
Performance Mesa Redonda.Esto es un juicio by Margarita Paksa director Rafael Splegelburd Semana del Arte, Museo Sívori 11 and 14 /04/2019
2016
Tablero, Since August 23 / 2016, video interview, MALBA - NC ARTE, Buenos Aires - Bogotá
Boba magazine edition #02, text Artistic strategies as production of reality.
2015
Dodgeball (video entrevista) /
Lesson0 / [Fricions Pedagogies] Pedagogías de Fricción, Fundación Joan Miró, Barcelona
2013
It's
the Political Economy, Stupid: The Global Financial Crisis
in Art and Theory, book exhibition It’s
the Political Economy, Stupid, published by Pluto
Press (UK) and Pori Art Museum (launched at Pori Art Museum
and Austrian Cultural Forum New York)
Public Consideration a Symposium in Three Acts (publication of the project, edited by Stephanie McGuinnes Rethinking Marxism,25/3, Association for Economic and Social Analysis /Routledge/Taylor & Francis, USA (p. 121 to 133)
2012
Visual Essay with Karina Granieri, Crisis
magazine (print publication), No. 8, Migra & Pop, Argentina
Foco SanPa, Sao Paulo Biennial, Curators Juliana Rosales and
Angela López Ruiz
2011
RECIBO
Nª 88, magazine of 15.000 copies, Auctions
Market & Money project, Sao Paulo, Brasil
The School of Panamerican Unrest: An Anthology of Documents / Edited by Sarah De Meuse and Pablo Helguera, Jorge Pinto Books, New York
2007
NBP Project by Ricardo Basbaum. Edition 6, Magazine in Situ:
The Paradigm Confines Tour (Video version)
Documenta 12 Kassel
Print page of Magazine in Situ 5, Traveling Magazine Table,
Insa Art Space of the Arts, Seoul, Korea
f oco2 : cinto hip (skype interview), Encuentro Regional de
Arte, August/200, fac, fundación de arte contemporáneo,
Montevideo
2006
Bazar, portable exhibition, # 21/Pulgar magazine, Curator
Gabriela Salgado, Editor Luis Romero, Caracas, Venezuela
http://pulgar.multiply.com/photos/album/21/pulgar_21_fricciones_interculturales#1
Organized the presentation of Transnational Republik, where
Georg Zoche presented a migration office, Goethe-Institut
Buenos Aires.
2005
Live Intervention, on Ramona N° 50, ArteBA, Buenos Aires
Doméstico, text for the exhibition of Paola Sigal at
"One-Hour" and Lateinamerikanischer Frauenverein,
Berlín.
Margarita y el hip hop, text about Margarita Paksa, Canecalón
magazine, # 4, año 2 #5 Buenos Aires
2004
Del bosque, screening of images for the presentation of La
estrategia de los árboles (disc) by Esteban Castell,
at Belleza y Felicidad, Buenos Aires.
2003
Un diario anual construido con frascos vacíos de medicamentos,
perfumes y jabones, Experiencias1: Procesos Abiertos, Ramona
magazine, Buenos Aires, June 2004, no. 41, pp. 16-21.
Fragments of anti-panopticon (essay), publication in Ramona
magazine, no. 35, pp. 16-18, Buenos Aires, October-November-
2003.
2002
Cacerolazo de artistas contra la princesa, text about the
Dutch Royal Wedding, Ramona magazine, Buenos Aires, March
2002, no 21, pp. 57-58.
1996
Repasador: la gran limpieza, publication: 25 Years Since the
Dictatorship, Editor Fernando Bedoya, distribution through
human right organizations, journals, libraries, bookshops,
museums, Buenos Aires.
1995
Repasa-dor-champ, Andesground, Grafica alternativa IV, Editors
Juan Carlos Romero and Fernando Bedoya, Buenos Aires- Lima.
1993
Alicia en las ciudades, actions for the recuperation of recently
occupied social centers in Rome, actions with Fabiana Valgiusti
for the recuperation of the Leonardo Da Vinci channel, Centros
Sociales casa Gorizia, León Caballo, Milan.
Patter dixi by Tomas Bernhard, réggisser Pompeyo Audivert,
rest of the wall intervention with El deseo es una frutilla
madura at Parakultural, Buenos Aires.
1992
Wardrobe curation for the opera The Flying Dutchman, by Richard
Wagner, réggisser Omar Viola. Wardrobe selected from
National Opera: Teatro Colon, Parakultural, Buenos Aires.
1990
jrajjjhhh… , “No - pardon - No military obedience–
No end point ” editor Fernando Bedoya, distribution
through human right organizations, journals, libraries, bookshops,
museums, Buenos Aires.
1989
Pintores en Cabret, video documentary with Gerardo Silvaticci
and Dani Lavigne – collective production, Open Door
art workshops, Psychiatry House, Jornadas Latinoamericanas
de Arte en Neurosiquiátricos, Cemento discoteque, Buenos
Aires
Huella, landscape intervention, Grupo Escombros, La Ciudad
del Arte, La Plata.
1982
Scenography assistant for La casita de mis viejos, régisseur
Agustín Alezzo, scenography by Gaston Breyer, Teatro
Abierto 82”, Cazal de Cataluña, Buenos Aires.
ALICIA HERRERO TEXTS
Ensayos sobre un Tribunal /Apertura y Acusación, enactment, Parque de la Memoria, Buenos Aires 2019
Artistic strategies like production of reality, publication, Boba magazine, edition #02, Argentina
Mundus Financial Corporation Inc. Commandments, Informe Capital, 2014
Arte & Capital - Fe de Erratas. Método y Serie, revelación de unas reglas, Revista Blanco sobre Blanco, Nº4, May 2013
MasterPlan/LiPac 2012, printed flyer (5000), CCRRojas -UBA
Public Considerations - The Word in Action, introduction to
the book: Public Considerations, a Symposium in Thee Acts-
Lipac-Rojas, UBA, Buenos Aires, 2011
Index, Latin American Library/Capacete, catalogue of the 32ª
Panorama del Arte Brasilero, Museo de Arte Moderno, Sao Paulo,
2011
Index2, Latin American Library/Capacete, publication of Capacete,
Rio de Janeiro, 2011
Action-Instruments Box, script of performative public presentation,
2011
Art and Self-Alteration (Las posibilidades del arte de autoalterarase)
Symposium: Challenges
that the globalization raises in the visual arts,
UNTREF University, Buenos Aires 2008.
The Paradigm Confines Tour (Magazine
in Situ 6), event and online publication, 2007
Complejos procesos de links, paper for conference, Centro
Cultural de España Montevideo, 2006
Backstage,
edition # 3, Magazine in situ, 2005.
Abstrusa apariencia, Alicia Herrero Producciones Culturales
presenta…texts on interventions, Centro Cultural de
España Buenos Aires, 2004.
Existencias, text for "Ensayos" by Paola Sigal,
exhibition at Lateinamerikanischer Frauenverein, Berlín
2004.
Re-vista Espacios y límites, edition # 1 Magazine in
situ, 2004.
Seminary Art Projects, statement, Centro Cultural Rojas, 2003
Diario de jornadas de Experiencias 1: Procesos Abiertos Hospital
de Infectologia Muñiz, Ramona magazine, June 2004,
no. 41, pp. 16-21.
Elipse, (Spanish and German), exhibition Alltag und Vergessen,
NGBK – Neue Gesellschaft für Bildende Kunst Berlín
and Rote Fabrik, Shedhalle, Zurich, 2003.
Set: Some Questions for Curators/Cultural Activists, flyers,
MALBA, Museo de Arte Latinoamericano Buenos Aires, 2003. (pamplet)
Anti-panóptico- De-constructora de sistemas S.A, parts
of this text published in “Semana cultural en Brukman”,
Ramona magazine, no. 35, pp. 16-18, Buenos Aires, October-November-
2003.
Brukman / Text-women / Art-Text, unpublished, 2003
Cacerolazo de artistas contra la princesa, Ramona magazine,
Buenos Aires, March 2002, no. 21, pp. 57-58.
Unfair-Tale, print and net flyer was distributed and sent
before the wedding between prince Wilheim Alexander and Maxima
Zorreguieta, Rotterdam, Amsterdam, Holland.
Chat, small poster, in English and Dutch, Boijmans van Beauningen
Museum, Rotterdam 2001-02.
Un paisaje hechizado, BarBAria 3, catalogue exhibition, ICI,
Instituto de Cooperación Iberoamericano Buenos Aires,
pp.11-14, 1998.
TALKS AND SHOWCASES -selection-
2019 - Máquinas Críticas. Llamados feministas en la historia del Arte, curador Francisco Lemus, Colección Fortabat, Buenos Aires
2019 - 100 years of Ingmar Bergman en Argentina, Videoperformance Drama (2009), Centro Cultural Haroldo Conti, Buenos Aires
26/07/2019
2018 - El local debate exhibition of José Luis Landet, Atocha gallery, October 16, Buenos Aires
2018 - Legados, lugares e historias. Conversation with argentinean artists argentinos and the presence of Luis Chilida, Museo Sívori - Auditorio, October 15, Buenos Aires
2018 - Diálogos y cruces entre el arte y la economía, conversation at Fundación El Mirador, September 29, Buenos Aires
2018 - Democracia en obra, exhibition, CCK, quider visit in the frame of Art Basel Cities, September 12, Buenos Aires
2018 - Alicia Herrero + Marcel Duchamp y los mercados globales. Una teoría visual de la distribución, performative talk with Gonzalo Aguilar, August 11, Fundación Proa, Buenos Aires
2017 - El arte de la economía y la economía del arte, with Gonzalo Aguilar, Henrique Faría gallery, november 27 Buenos Aires
2016 - Public Considerations, a Symposium in Thee Acts, MACBA, Buenos Aires
2916 -
2014 - ART & CAPITAL, performative-talk, Art and Economy, La Paternal espacio Proyecto, PAPO, Buenos Aires
2013 - ART & CAPITAL, performative-talk, ARTE Y CRÍTICA CULTURAL LATINOAMERICANA, academic program, Fundación de Arte Contemporáneo, September 21, Montevídeo
2013 - Art & Capital, performative-talk, curator Lorena Peña Brito, MURA, August 28 / 2013, Guadalajara, México
2013 - Art, Market, and Political Economy, presentation of 28/01/2013, El Galpón,
Buenos Aires
2012 - Video and book presentation, Public Considerations,
a Symposium in Thee Acts 18-05-2012, Centro Cultural Rojas-Universidad
de Buenos Aires
2012 - Book and project presentation, Public Considerations,
a Symposium in Thee Acts 17-02-2012, Medialab Prado, Madrid
2012 - Book and project presentation, Public Considerations,
a Symposium in Thee Acts 9-02-2012, El Ranchito-Matadero,
Madrid
2012 - Book and project presentation, Public Considerations,
a Symposium in Thee Acts , 28-02-2012, Traficantes de Sueño,
Madrid
2012 - Book and project presentation, Public Considerations,
a Symposium in Thee Acts, 25-01-2012, Eyebeam - Art + Technology
Center, New York
2012 - Artist talk, exhibition: It’s the Political Economy,
Stupid, January 23. Participants: Linda Bilda, Melanie Gilligan,
Alicia Herrero, Olga Kopenkina, Alexandra Lerman, Dread Scott
and the curators, Austrian Cultural Forum, New York
2011 – Public Considerations and LiPac, conference in
the Program: Pós-graduação em artes plásticas
e contemporaneidade, Scola Guignard – Universidad do
Estado de Minas Gerais - Organization: Capacete, Belo Horizonte,
Brasil
2010 - Lecture about LiPac, part of the Fase2-Utopías-Distopías-Atopías-Centro
Cultural Recoleta, Buenos Aires
2010 - Alicia Herrero, lecture, multiple seminars in Esteban
Álvarez’s course, IUNA, Fundación Telefónica,
Buenos Aires
2009 - Art & Capital, lecture, Biennial of Bogota, Museo
de Arte Moderno de Bogotá, Colombia
2009 – Conversazioni di Art & Capital, conference
at Spacio Gerra, Reggio Emilia, Italy
2009 - Suite Auction Drawings, lecture as part of Berta Sichel’s
seminar at Fundación Telefónica, Buenos Aires
2008 - Talk: Art and Self-Alteration, National University
Institute of Art , Buenos Aires, in the context of Esteban
Alvarez’s course.
2008 - Conference: Art and Self-Alteration, Symposium: Challenges
that the globalization raises in the visual arts,
UNTREF National University of February Third, Buenos Aires
2008.
2007 - Lecture, Eindhoven Caucus, Be[com]ing Dutch, November/2007,
Van Abbemuseum, Eindhoven
2007 - Archivos (roundtable) organized by Andrea Giunta, CeDIP
- Centro de Documentación, Investigación y Publicaciones,
Centro Cultural Recoleta, October 23, Buenos Aires
2006 - Complex Process of Links, 2# Jornadas universitarias
de Creación y Nuevos Medios, Universidad de Palermo
Buenos Aires
2006 -The Agnostic and the Contemporary, Corbalán (m7red)
– Herrero, Organized by Gabriela Forcadell, Aguirre
Buenos Aires
2006 - The Agnostic and the Contemporary, by Gabriela Forcadell,
AK28, Stockholm, Sweden
2006 - Dialogic Process: Magazine in Situ, 24/ October/ 2006,
Centro Cultural de España, Montevideo, Uruguay
2006- Usos de una teoría de mano, Cultura y Media,
Centro Cultural San Martín , Buenos Aires
2006- The School of Panamerican Unrest- Pablo Helguera-Fundación
Star, Buenos Aires
2006- Coordinación charlas: Romano, López Lage,
Ali-Brouchoud, Forcadell, Melero, Cippollini, Gache, Magazine
in situ, ArteBA, Buenos Aires
2006 - Lecture RIAA, Fundación Telefónica, Buenos
Aires
2006 - Lecture RIAA, Centro Cultural Rojas, Universidad de
Buenos Aires
2005- Mi colección favorita, projects presented by
Jorge Gumier Maier together with Elba Bairon, Roberto Jacoby,
Luis Lidner and Luis Benedit. Projectspresentation by León
Ferrari, Transnacional Republic, Francis Alis, Lewis Lawler,
Tiravanija, Raimond Chaves, Gustavo Romano, among others,
Centro Cultural Rojas, Buenos Aires.
2005- Alice Ville, talk, Museo de Arte Contemporáneo,
Rosario.
2004 - Chat 2000-2002, talk, Arte e interacción, presented
by Graciela Taquini, with Mariano Sardón, Fundación
Telefónica, Buenos Aires.
2004 - Chat, conference organized by Mercedes Pérez,
Facultad de Artes Visuales, Historia del Arte, Universidad
de La Plata.
2003 – Paper: Anti –panopticon (essays), “Arte
y Conflicto” symposium, actions for recuperation of
the Brukman Factory, June 1, 2003, (Ramona magazine No. 35)
2002 - Lecture with Raimond Chaves and Gilda Mantilla, Kaus
Australis, Rotterdam
2001 - Lecture proyectos Paisaje Hechizado and Romántico,
Big River 2, Trinidad
1996 - Des-informes, talk, presented by Adriana Lauría,
toghether with Marcelo Pacheco and Gachy Hasper, Protagonistas
del Arte de Hoy, Primeras Jornadas de Historia y Teoría
del siglo XX, Facultad de Filosofía y Letras, Universidad
de Buenos Aires - UBA, Fundación Banco Patricios, Buenos
Aires.
1995 - E-ti-que-tas-E-ti-cas, talk, presented by Sebastián
Zicarello, together with Rosana Fuertes and Carolina Antoniadis,
“Arte y postfeminismo”, Escuela de Bellas Artes
Prilidiano Pueyrredón, Buenos Aires.
1995 – Latest projects, ”El entorno femenino en
las artes plásticas“, together with Cristina
Schiavi, Ana López, Mónica González,
Marité Zaldivar, Fátima Martíni, Centro
Cultural de Asunción, Asunción, Paraguay.
1995 – Bienal de La Habana 94, “La cultura Argentina
en los 90”, with historian Hebe Clemente together with
researchers from UBA, Instituto de Enseñanza Superior
N° 1, “Alicia Moreau de Justo,” Buenos Aires.
1994 – Talk about V Bienal Internacional de La Habana,
organized by Jorge Gumier Maier, together with Victor Grippo,
Feliciano Centurión, el Búlgaro, Centro Cultural
Ricardo Rojas, Buenos Aires.
1995 – Talk on Art and post-feminism, Juan Doffo Studio,
Buenos Aires.
WORKSHOPS AND LABORATORIES -selection-
2016 - Disobedience, other uses of information, (construction and collective drifts with printed matter), workshop, Museo de Artes Visuales, Quilmes
2013 - ¿Para qué necesitamos el arte?, Diagonal Escuela Libre, Two days laboratory, August 26 and 27, Guadalajara, México
2013 - SITAC XI- Education Platform: Campo De Pruebas - Simposio Internacional de Teoría sobre Arte Contemporáneo, August 22/August 24, México DF
2012/13 - MasterPlan projects and artists in residence, Report - Live Interview - Dramaturgy - Activism - Films - Performative-Talk
LiPac-Laboratory
of Investigation into Contemporary Art Practices (coordination/oganization/concept), Mondriaan Fonds, Centro Cultural Ricardo Rojas, Universidad de Buenos Aires
2011 - Art & Capital, workshop at Atelié 397 (Capacete
organization), Sao Paulo, Brasil
2011 - Art & Capital, workshop in the 8ª Biennial
do Mercosul, Porto Alegre, Brasil
2010 - LiPac
Laboratory of Investigation in Contemporary Artistic Practices,
(development of project and organization of seminars and studio
visits with Minerva Cuevas, Ibon Aramberri, Margarita Paksa,
PhD, Alicia Gutierrez and studio group of Pierre Bourdie (Philosophy,
Córdoba University), Centro Cultural Rojas, Universidad
de Buenos Aires
2010 - Art & Capital workshop at Cittadellarte (International
Artist Residency), Pistoletto Foundation, Biella, Italy
2009 - Development of
LiPac Laboratory of Investigation in Contemporary Artistic
Practices. Meetings, seminaries, lectures, with
Joep Van Lieshout Lara Almarcegui, Raimond Chaves, Marta Minujin,
Alejandro Cesarco, Belén Gache, Centro Cultural Rojas,
Universidad de Buenos Aires/ Universidad de Buenos Aires
2008 - Development of LiPac
Laboratory of Investigation in Contemporary Artistic Practices.
Meetings, seminaries, lectures, with Nina Montmann, Ricardo
Basbaum, Jorge Macchi, Catherine David, Fran Ilich, Teresa
Riccardi, Esteban Alvarez, Mara Fachin, Belén Gache,
Gustavo Romano/ Centro Cultural Rojas, Universidad de Buenos
Aires/ Universidad de Buenos Aires
2007 - A Reading of Field and Practices, Workshop, Cycle:
Intervalo de Confianza, Encuentro Regional de Arte
September/ 12 and 13/2007; Museo Nacional de Bellas Artes,
Montevideo
2007- Seminar, Proyectos de arte: orientación y seguimiento,
Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2007 - Development of LiPac
Laboratory of Investigation in Contemporary Artistic Practices.
Lectures: Dora Garcia/ Anne Kersten/ Kalle Brolin/Kristine
Muntzing/Conversation with Liliana Porter/Seminar by Gonzalo
Aguilar/Film program selected by Andres Di Tella/Conference
by José Luís Brea / Centro Cultural Rojas, Universidad
de Buenos Aires/ Universidad de Buenos Aires
2006- Studio visit, scholarships, Centro Cultural Rojas –
UBA, Universidad de Buenos Aires.
2006 - Contemporary Art & Context (workshop), Bienal del
Fin del Mundo, Ushuaia
2006- Seminar, Proyectos de arte: orientación y seguimiento,
Centro Cultural Rojas, Universidad de Buenos aires (UBA).
2006- Studio visit, scholarships, Museo de Arte Contemporáneo
Misiones.
2005- Seminar: Proyectos de arte: Orientación y seguimiento
proyectos, El Rojas en el Rosa, Museo Rosa Galisteo de Santa
Fe, with collaboration of Centro Cultural Rojas, Universidad
de Buenos Aires-UBA.
2005- Workshop: La vida cotidiana como laboratorio, Imola-Comba,
Roberto Vanguardia studios, Rosario.
2005- Studio visit, Museo Damasco Arce and Centro Cultural
Rojas, Universidad de Buenos Aires-UBA, Olavarría.
2005- Proyectos de arte: orientación y seguimiento,
Centro Cultural Rojas, Universidad de Buenos Aires (UBA).
2004 - Proyectos de arte: orientación y seguimiento,
Centro Cultural Rojas, Universidad de Buenos Aires (UBA).
2003 - Proyectos de arte: orientación y seguimiento,
Centro Cultural Rojas, Universidad de Buenos Aires (UBA).
2003 - Análisis de obra- Studio visit, Facultad Ciencias
de la Administración, Concordia –Centro Cultural
Rojas, Universidad de Buenos Aires (UBA).
2003 - Pintura y Dibujo, Centro Cultural Ricardo Rojas, Universidad
de Buenos Aires (UBA).
2000 - El Taller de pintura como laboratorio, Centro Cultural
San Martín, Buenos Aires.
1998/ 1999- Dibujo y pintura, Centro Cultural Ricardo Rojas,
Universidad de Buenos Aires (UBA)
1995 - Seminar, “Mujeres Artistas desde el renacimiento
hasta hoy”, Escuela Superior de Bellas Artes, Ernesto
de La Cárcova, Buenos Aires.
1990- Morfología, Escuela de Bellas Artes Prilidiano
Pueyrredon (IUNA).
BIBLIOGRAPHY (INTERVIEWS, CATALOGUES, BOOKS) (selection)
2019
Tácticas Luminosas, Kerry Doran, Artforum, september 2019
La artista Alicia Herrero obtuvo el Primer Premio Fortabat, Cultura Infobae August 18 2019
Elecciones paralelas, Celina Chatruc /Cultura, La Nación August 16 2019
Tácticas Luminosas. Artistas mujeres en torno a la Galeria del Rojas, Francisco Lemus / Terremoto June 22, 2019
Amazonas de la Para Ti, Ana Vogelfang / Estudios curatoriales June 2019
Activismo experimental, Cristina Civalle / Jaque al arte April 30 2019
Fuera (de) la Ley, Eduardo Grüner (Texto exposición Ensayos sobre un Tribunal/ Parque de la Memoria) March 2019
Quién sabe Alicia: un recorrido por la obra de Alicia Herrero, Agustina Paz Frontera / El Cohete a la Luna April 28 2019
Otra versión del mítico Rojas, Julia Villaro /Revista Ñ , Clarin April 27 2019
Trabajos manuales, Maria Moreno /Radar, Página 12 April 7 2019
La herencia del Rojas en cuatro muestras artísticas imperdibles, Marina Oybin /Infobae April 5 2019
Pinta tu aldea, Laura Isola / Perfil April 28 2019
Ensayos sobre un Tribunal. Al poder de la economía política, Florencia Battiti / ArteHispano April 2019
2018
La democracia considerada como un work in progress, Laura Isola, Perfil, June 30 2018.
Sobre los logros y cuentas pendientes, Fabian Lebenglik, Página 12. June 5 2018
Cómo pensar la democracia desde el arte y el conflicto, Luciano Sáliche, Infobae.com, May 22 2018
Inauguró en el CCk una exhibición colectiva sobre la democracia, Perfil, May 19 2018
Alicia Herrero + Marcel Duchamp y los mercados globales, Bamarte.com.ar
Conferencia performativa, Alicia Herrero and Gonzalo Aguilar, Ramona revista
Argentina vuelve a estar presente en la 37ª edición de ARCO con siete galerías, Notiamérica.com, February 24 2018
Feminismo, una bandera que flamea en arteBA, María Paula Zacharías, La Nación, 26 de May 2018
El arte, el feminismo y los grandes relatos, Daniela Lucena, Clarín, January 2 2018
Arte y feminismo, histórica subordinación, Ophelia, August 2018
Las mujeres deberían abandonar la escuelas de arte, Andrea Giunta, La voz del interior, August 6 2018
Feminismo y arte, Andrea Giunta, book, Siglo XXI, May 2018
50 años sin Duchamp, Fernando García, Cultura / Diario La Nación 09/10/2018
2017
LA ESTÉTICA DEL DESEO EN LA ERA DE LAS MÁQUINAS [THE AESTHETICS OF DESIRE IN THE MACHINES AGE] by Ana María Battistozzi, Revista Ñ /Clarin, saturday 31/12/2017
CUESTIÓN DE ESCALA [SCALE QUESTION] by Laura Rosso, Pagina 12, friday 22/12/2017
UN VIDRIO LLENO DE GENTE [A GLASS FULL OF PEOPLE] by Laura Isola, Perfil Culura/Arte, sunday 17 /12 /2017
MARCEL DUCHAMP EN BUENOS AIRES: HUELLAS DE UNA VANGUARDIA INVISIBLE [MARCEL DUCHAMP IN BUENOS AIRES: FOOTPRINTS OF AN INVISIBLE AVANT-GARDE] by Fernando García, La Nación /Cultura, sunday 10/12/2017
EL ARTE, EL FEMINISMO Y LOS GRANDES RELATOS. El lugar subordinado de las mujeres en el espacio social del arte es tematizado en muestras críticas.[ART, FEMINISM AND GREAT STORIES The subordinate place of women in the social space of art is thematized in critical exhibitions] by Daniela LucenaRevista Ñ, saturday 31/12/2017
UNA MUESTRA PARA PONER EN VALOR EL DISENSO[AN EXHIBITION TO PUT IN VALUE TO THE DISSENT] by Jessica Fabaro, TN, 2/12/2017
LA MEDICIÓN, QUE SIN DUDA ESTÁ EN EL ORIGEN DE LA POLÍTICA Y DE LA ECONOMÍA, TAMBIÉN LO ESTÁ EN EL ORIGEN DEL ARTE [(THE MEASUREMENT, WHICH WITHOUT DOUBT IS IN THE ORIGIN OF POLITICS AND ECONOMY, IS ALSO AT THE ORIGIN OF ART], about individual show: A theory of Distribution, Ramona magazine, november 2017
THE MYSTERY OF MEASUREMENTS AND EXCESSES (desbordes) by Gonzalo Aguilar, catalogue of solo show at Henrique Faria gallery, november 15/december 27 /2017.
BRILLO Y MILLONES EN LA BABEL DEL ARTE (BRIGHTNESS AND MILLIONS IN THE BABEL OF ART) by Ana María Battistozzi
Revista Ñ /Arte Clarin.com 15/12/2017
UNTITLED Y PINTA, CON COLOR LATINOAMERICANO (UNTITLED AND PINTA, WITH LATIN AMERICAN COLOR) by Matilde Sanchez
Clarín / Cultura 06/12/2017
ALICIA HERRERO. EL MISTERIO DE LAS MEDIDAS Y LOS DESBORDES, artishock revista, 07/12/2017
LA MEDICIÓN, QUE SIN DUDA ESTÁ EN EL ORIGEN DE LA POLÍTICA Y DE LA ECONOMÍA, TAMBIÉN LO ESTÁ EN EL ORIGEN DEL ARTE, Ramona magazine, noviembre 2017
ALICIA HERRERO. UNA TEORÍA VISUAL DE LA DISTRIBUCIÓN, artehispano, reseña de 5 fotos
El misterio de las medidas y los desbordes por Gonzalo Aguilar, catálogo de la muestra individual en galería Henrique Faria, noviembre 15/diciembre 27 /2017
ENSAYO: BIENAL SUR ENSAYAR OTRA GEOPOLÍTICA por Nestor García Canclini, revista Código, México noviembre 30/2017
REPRESENTAR LO QUE NO SE VE, reseña con 4 fotos
Ramona, Reseña de 10 fotos
#aliciaherrero medias, http://www.thepictaram.club/p/aliciaherrero
FRONTERA/BORDER por Dorota Biczel, catálogo de la muestra grupal: Frontera, galería Henrique Faria, octubre 4 /noviembre 8/ 2017
Alicia Herrero, Bamarte, reseña 5 fotos
VENTAS ARGENTINAS EN UNTITLED (ARGENTINE SALES IN UNTITLED) por / by Ana María Battistozzi, Revista Ñ /Clarin 16/12/2017
LA MIRADA QUE SE SEPARA DE LOS BRAZOS por Florencia Battiti, texto curatorial BienalSur, Centro Cultural Conti, septiembre 15, enero 2018.
EL MAPA AL REVES, BIENALSUR by Cristina Civale, Radar (Cultural suplement), newspaper Pagina 12, July 16, 2017
MACMO publication, Art, Education and Posteducation in the Radical South
PUBLIC
CONSIDERATIONS, A SYMPOSIUM IN THREE ACTS, 2017
Frontera, Buenos Aires, Argentina
arteonline http://www.arte-online.net/Agenda/Exposiciones_Muestras/Frontera/Alicia_Herrero
FRONTERA/BORDER by Dorota Biczel, catalogue of the group show:: Frontera, Henrique Faria gallery, october 4 /november 8/ 2017
Arte informado, Frontera, http://www.arteinformado.com/agenda/f/frontera-146493
I BienalSur, Buenos Aires, Argentina
BERGMAN 2017, MUCH TO DISCOVER, Cultural San Martín, Buenos Aires
Comenzó BIENALSUR: agenda para septiembre CABA, Kekena Corvalán, Leedor
Universe & Universe https://universes.art/es/bienalsur/2017/participants/
“Che Bergman” recuerda al gran cineasta sueco, Devoto Magazine, 27/07/2017
Che, Bergman: homenaje al gran Ingmar en clave porteña, Magali Tylkovitch, Leedor, 11/06/2017
Radio La Once Diez, entrevista en La Recomendadora, 23/12/2017
2016
Alicia Herrero in conversation with Teresa Riccardi (interview), Terremoto
magazine (bilingue) 2016
Cristina Civale, Todo sobre el dinero (All about money), newspaper Página 12, pages: 8 and 9, Las 12, 26/02/2016
Miguel López and Gabriela Sáenz, Andrea Giunta: “El feminismo ha sido la contribución más radical en el arte del siglo XX”, newspaper La Nación, Artes Visuales, 13 March 2016
MACMO, Consieraciones sobre lo Público, un Simposio en tres Actos, Montevideo, July 2016
Clarisa Ercolano,Teresa Riccardi 2g: de la geometría al género, Jaque al Arte, Augost 2016
Ultima charla de Artistas 2016 - Alicia Herrero and Josefina Carón at La Verdi, Ramona magazine, December 2016
Claudio Iglesias, Los daños materiales, Página 12, Radar, 17 April 2016
GCuy, MACMO: una institución del futuro, Artes Visuales, Gestión Cultural, Montevideo, 15 July 2016
2015
El preu de l’art: un possible objecte artístic, Universidad Pompeu Fabra de Barcelona by Helena Caballeria, Maria José Bonet, Vignesh Tolu Melwani and Andrea Romaní, 2015
Cristina Civale, Alicia Herrero y la obra como artefacto político, "Jaque al arte", 10/10/2015
DordtYart 2015, Sculpture Network, The Netherlands, April 2015
2014
Anthony Downey, Art and Politics Now, Thames & Hudson (UK) 2014
Tomás Ruiz-Rivas, Museos de Artista (Artist´s Museums-institutional appropiation), VALF-VVisual Art Latino Freezine http://www.valf.com.mx/archiv/14jun/museos_artistas.html
Vladimir Jeric Vlid, It's
the Political Economy, Stupid!, LatinArt 2014 (about exhibition at Center for Cultural Decontamination in Belgrade organized by Rosa Luxemburg Foundation)
Cultura Colectiva, 11 Simposio Internacional de Teoría sobre Arte Contemporáneo, México, 26 Augost 2013
2013
Rebeca Pérez, Propone reflexión sobre valor del arte, Mural journal, Culture, México 27-08-2013 (p.6)
Eugenia Coppel, "Evidencia" al mercado del arte, El Informador, journal, Culture, México 29-08-2013
Jessica de la Cruz, Discutirán sobre Arte y Capital en el MURA, El Milenio, journal, Culture, México 28-08-2013 (p.29)
It's
the Political Economy, Stupid: The Global Financial Crisis
in Art and Theory, book exhibition It’s
the Political Economy, Stupid, published by Pluto
Press (UK) and Pori Art Museum (launched at Pori Art Museum
and Austrian Cultural Forum New York)
Marcela Quiróz, Empezó el SITAC XI, SalonKritik, Madrid, February 2013
Martín Volman, Charla con Alicia Herrero, (blog) Buenos Aires, January 2013
Interview by Esfera Pública, Museo de la Economía Politica del Arte, Bogotá, May 2013
Alicia Herrero, Arte & Capital-Fe de Erratas. Método y serie, revelación de unas reglas, Blanco sobre Blanco, art magazine, Buenos Aires, May 2013
Public Consideration a Symposium in Three Acts (publication of the project, edited by Stephanie McGuinnes Rethinking Marxism,25/3, Association for Economic and Social Analysis /Routledge/Taylor & Francis, USA (p. 121 to 133)
2012
Teresa Riccardi, On/scenities
del capital, Artforum press-release , solo show
at 11 x 7: Museo de la Economía Política
del Arte (Museum of the Political Economy of Art), 09-11-2012,
Buenos Aires
Lara Marmor, Museo
de la Economía Política del Arte, muestra de
Alicia Herrero, Los Inrocks (magazine), 23/12/12,
Buenos Aires
Alphaville, Museo
de la Economía Política del Arte.Alicia Herrero, REV (12 pictures), 20-11-12, Buenos Aires
Ramona, Museo
de la Economía Política del Arte at 11x7,
(10 pictures) November 2012, Buenos Aires
Teresa Riccardi, "Tomar
la palabra. Prácticas Performativas de Artistas Argentinas",
Primeras Jornadas de Estudios de la Performance, No 1, CIFFyH-
Museo de Antropología- UNC, (april 2012), Córdoba
Nahuel Lag, interview “Durante
las últimas dos décadas de carrera…”
Revista NAN •8 (Julio 2012), Buenos Aires
Pablo Helguera, interview with Alicia Herrero "Art
as knowledge of the world"in book:
"Pedagogy
in the expanded field" publication of the 8th Mercosur
Biennial, Portuguese version (pages
105, 106 and 107), Spanish (248, 249 and 250), English (375,
376 and 377), Publishers Pablo Helguera and Monica Hoff, Porto
Alegre, 2011, Brazil
Teresa Riccardi "CVendida!
newspaper Pagina 12, pages 8 and 9, Las12, 04-05-2012, Buenos
Aires
Ruth Carnevale, ArteBA
2012 y la autorreferencia, ac artecriticas, May
2012, Buenos Aires
Ñ cultural magazine, "Essay. Publicness and Artistic
Practices," News section, page 6, "Ensayo. La cosa
pública y la práctica,” 09-06-2012
FotoTour, ArteBA
2012, Universe-in-Universe, May 2012, Germany
Praxistest – Künstlerische Projekte zur Vermittlung
zeitgenössischer Kunst, Publik Considerations, ein Symposium, drein akten, publicación-serie
de libros de la Schoppinger Forum für, Kunstvermittlung,
April /2012, Germany
Birgit Sonna, Die
Messe Arco in Madrid setzt ihren Aufwärtstrend fort und
überrascht mit passablen Verkäufen, Art
das Kunst Magazine, 16-02-2012, Germany
von mhollerbach, Die
Madrider Kunstmesse Arco ist auch..., Farb &
Still 5-02-2012, Germany
Von Clementine Kügler, Wider
den Gemischtwarenladen, Zeit DE, 15-02-2012,
Germany
Alexandra Prado Coelho, A
Arco olha para a América Latina. E eles olham para
cá?, Newspaper El Público, 18.02.2012
- Portugal
Lucie Duban, Artistes
Arco 2012, Lucie Duban.Moodboard March, 13, 2012,
Paris
Chiara Tinonin, Arco,
ponte tra culture, Il Giornale DellÁrte,
May/2012, Italy
Margherita Visentini, Cosa
non perdersi (e come non perdersi) all'Arco Madrid,
Stile.it, 28 February 2012; Italy
Simona Spinola, È
qui la festa?, Seroxcult, 29 february 2012, Italy
Bea Espejo, Lo
mejor de Arco 2012, El Cultural, 17-02-2012,
Spain
Arcoholics – por José Luis Calderón, Nicola Mariani
- Arte y Sociedad, Spain
Juan Bosco Díaz-Urmeneta, La
feria en tiempos de crisis, el diario de Sevilla
y Malaga Hoy, 17-02-2012, Spain
Javier
Gonzalez Panizo, Arco’12:
El triunfo (o casi) de la voluntad, bloguerte-Critica
de Arte, España
Manolo Pérez en Sáb, Latinoametica
protagonista de Arco 2012, Apuntes del Natural,
18/02/2012, Spain
Paco Barragan, interview
with Alicia Herrero Frecuency.com, Febrero 2012,
Spain
Kees Koomen, Arco12
Madrid Focus Paises Bajos, Trenbeheer, Netherland
Adriana Herrera, El
espacio revelador de Focus Latinoamérica en Arco Madrid 2012, Arte al día Internacional, Argentina
Maria João Costa, Arco
abre hoje e já há obras a gerar reacções,
Rensascensa, journal, Portugal
Rethinking Marxism # 25/3, Association for Economic and Social
Analysis /Routledge/Taylor & Francis, USA
More:
Press
dossier about Action-Instrumets Box in SoloProjects Arco 2012
- Madrid (40 links)
New
York Exhibition Press (40 links) press
It’s the Political Economy, Stupid Austrian Cultural
Forum, New York, January-April 2012
2011
Pablo Helguera, catalogue and guíde, publications of the "8th Mercosur Biennial",
Porto Alegre, 2011, Brazil
Axpe Imóveis Especiais, 8ª
Bienal do Mercosul, Taste, 16-09-2011, Brazil
UbaLab, Bienal
do Mercosul, 29-10-2011, Brazil
The
World's Best Photos, Flickr Hive Mind
Teresa Riccardi, Excerpt
from the article "The Enacting of the Public (From Performativity
to Emancipation) in Alicia Herrero's PC ",
in Practical Test. Projects of Genuine Artists to Communicate
Current Art to the Public, book series of the Schoeppinger
Forum für Kunstvermittlung, Germany, 2011
Teresa Riccardi, "The
Enacting of the Public (From Performativity to Emancipation)
in Alicia Herrero's PC", in Public Considerations,
a Symposium in Thee Acts- Lipac-Rojas, UBA, Buenos Aires 2011,
Buenos Aires
María Fernanda Cartagena, "Speculationis",
LatinArt.com, 2011
Ana María Quijano, "Mercosul Biennial 2011 Gets Rid of the Show,”Arte al día
Magazine and Ámbito Financiero Newspaper, September
2011
Teresa Riccardi and Roberto Moreira (Traplev), RECIBO
Nª 88, May / 2011 publication of "Auctions
Market & Money" project, Sao Paulo, Brasil
Esteban Álvarez, "Documents for an Imperfect Future",
catalogue, El Parqueadero, Colección Museo Banco de
La República, Bogotá
Adetty Pérez Miles, Dialogic Encounters: The School
of Panamerican Unrest (La Escuela Panamerican del Desasosiego),
chapters 2 and 4, publication by Penn State University, USA,
2011
Juanita Danchez, "Terminó ARTE BA 2011, Tres comentarios, tres obras para rescatar", Sauna magazine, Buenos Aires, 30/05/ 2011
2010
Gabriela Schevach, Documents
In the Present From the Future Through the Past,
Alphaville, 2010
Gabriela Schevach, "The
Imperfect Future of Art at the Fondo Nacional de las Artes",
Juanele, 2010
Esteban Álvarez, Documents for an Imperfect Future,
catalogue, Fondo Nacional de las Artes, Buenos Aires, 2010
Abel Konya, Fake, catalogue Paticion2.0 , INTERMODEM 2nd International
Intermedia Modem Center of Modern and Contemporary Art, Debrecen,
2010
Massimiliano Scuderi, "Art
& Capital, corrodere il sitema dall´ interno",
interview in Arte & Critica magazine, Italy, 2009.
Franco Berardi Bifo, Valerio Evangelisti, Eugenio Lo Sardo
(among others), In
Memoria di Sbancor (images from Art & Capital
series), Loop magazine, (pages 10 to 19), 2009, Italy
Valeria González and Maxi Jacoby, "20 años
de Artes Visuales", book, Centro Cultural Rojas, 2009.
Valeria González, "De los 90 y del 2000",
newspaper Página 12, 13-10-2009.
Catalogue Bienal de Arte de Bogotá, Museo de Arte Moderno
de Bogotá, Colombia, 2009.
Karina Granieri,"Las Comisuras de La Boca", Fundación
Proa, 2009
Silvia Litardi, "Art & Capital", SalonKritik,
2009.
25 años del Rojas, (testimony), book, Centro Cultural
Rojas,2009.
María Fernanda Cartagena, Speculationis,
catalogue Art & Capital, Mirta Demare
Gallery, Rotterdam 2009
Gabriela Salgado, "Performing In The Theatre Of The Auction
House", Art & Capital catalogue, Demare Gallery,
Rotterdam 2009
2008
Gerardo Mosquera, Globalización y Cultura ¿Existe
un lugar Latinoamericano?, Untref, 2008
Intermodem, MODEM Centre for Modern and Contemporary Art,
Debrecen, Hungary, catalogue, 2008
Elena Oliveras, “Contemporary Art Questions ”,
book, C. Lo museable, ed. Emece Arte 2008
2007
Ana María Battistozzi, Estudio Abierto, book, 2007
Ana Maria Battistozzi, Biennial of the End of the World, ArtNexus
No. 66 - Sep 2007
Teresa Riccardi, First edition the End of the World Biennial,
LatinArte, 2007
Rethinking Dissent, Goteborg International Biennial for Contemporary
Art, catalogue, 2007
Gustavo Romano, Acciones, Investigaciones, Relecturas, catalogue,
Centro Cultural de España Montevideo, 2007
Fabio Cypriano, “Ushuaia mostra arte no fim do mundo”,
Cuaderno de Cultura la Folha de Sao Paulo, April 8, 2007.
Patricia Pedraza, “Ramona en el fin del Mundo”,
Ramona magazine: http://www.ramona.org.ar/node/14514, 2007
Eduardo Nava, “Magazine in Situ: Paradigm Confines Tour”,
NewMedia, http://newmediafix.net/daily/?p=1260, 2007
Cristina Civalle, Bienal del Fin del Mundo II: Travesías,
Clarín Digital, 2007 http://weblogs.clarin.com/itinerarte/archives/2007/03/la_bienal_del_fin_del_mundo_ii_travesias_1.html
Ana María Battistozzi, “Otras realidades son
posibles”, Suplemento Ñ, Newspaper Clarín,
April 7, 2007.
Bienal del Fin de Mundo, Ushuaia 2007, catalogue, 2007
2006
Francisco Ali-Brouchoud, “Here and Now” catalogue
– Museo de Arte Contemporáneo de la Universidad
Nacional de Misiones,2006
2005
Ana Tiscornia and Patricia Betancour, catalogue of the exhibition
"La problemática de género en la producción
iberoamericana contemporánea", Centro Cultural
de España Montevideo, September-December 2005.
Belén Gache, catalogue “Alice Ville”, MACRO
- Museo de Arte Contemporáneo, Rosario, August 2005.
Claudia Laudanno, "Complejidad Inventiva del espacio
en la obra de Alicia Herrero", interview, Cultura, Diario
Rosario 12, August 23, 2005, p 6.
Rodrigo Alonso, text, "Hazañas y peripecias del
video arte en Argentina", Cuadernos de Cine Argentino.
Cuaderno 3: Innovaciones Estéticas y Narrativas en
los Textos Audiovisuales. Buenos Aires: Instituto Nacional
de Cine y Artes Audiovisuales, 2005.
E. Lewis, "Alicia Herrero y una obra donde el público..."
Diario La Capital, August 14 2005, pp. 13.
Marcela Römer, “Alice Ville: una forma de vivir
el arte”, Rosariarte www.rosariarte.com.ar, September
2005.
Roberto Jacoby, “El proceso de la obra es una fluctuación
real-ficcional”, interview, Poéticas, Ramona
magazine No. 50, 2005.
Fabian Lebenlik, Qué y quiénes son los curadores,
Página 12, Cultura & Espectaculos, November 29,
2005
Jorge Gumier Maier, “Curadores”, interview, book,
Centro Cultural Rojas - editorial, Universidad de Buenos Aires,
2005.
Elena Oliveras, “La estética y sus cuestiones”,
book, Planeta editorial, 2005.
2004
Ana María Battistozi, “Elogio de lo pequeño”,
Suplemento Ñ, 20-11-04.
Fabian Lebenglik, “Los reducidores”, Plástica,
Diario Pagina 12, November 16, 2004.
Santiago Rial Húngaro, “El secreto y las voces”,
Diario Pagina 12, Suplemento Radar, 18-05-04.
Ana María Battistozi, “¿y donde esta el
artista?”, Suplemento Ñ, 5- 6-04
2003
Santiago Rial Húngaro, “Operación perturbar”,
Diario Pagina 12, Suplemento Radar, 7-12-03.
Barbara Basting, “Immer noch: Cry for Argentina”,
Tagesanzeigh, 09-09-03.
Timo Berger, Alltag und Vergessen –Argintinien 1976/2003,
Ramona magazine, pp.74-76, # 34, September 2003.
Harald Fricke, “Sieg für Arbeiter,….”,
Die tageszeitung, 17-03-03.
Alexander Kluy, “Bis heute ungeklärt”, Berliner
Morgenpost, 9-4-03.
Michel Nungesser, “Der Tagesspiegel”, Blutige
Jahre, 14-4-03.
Donata Droge, “Alltag und Vergessen”, ila 264,
03-04-03.
Timo Berger, “Störfeur”, Junge Welt, 15-03-03.
Martien Conrads, “Verlorene Utopien”, Zilty, 08-03-03.
Andrea Giunta, catalogue exhibition “Alltag und Vergessen”,
NGBK, Neue Gesellschaft für Bildende Kunst Berlín
and Rote Fabrik, Shedhalle, Zurich, 2003.
2002
Fabian Lebenglik, “La retina contra la rutina”,
Diario Pagina 12, Plástica, 10-11-02.
Ana Maria Battistozzi, “Alicia Herrero”, Revista
Arte y Parte, Madrid, December 2002.
Graciela Taquini, “Trampas y simulacros” catalogue,
Centro Cultural de Montevideo, May 2002.
Christian Ferrer, “herrerías” catalogue,
Luisa Pedrouzo, December 2002.
Marta Dillon, “Arqueología del Recipiente”,
p. 12, 29-03-02.
Emile Hilgers "Kunstenares zoekt keukengerei...",
Donderdag, Rotterdam 03-02-02.
Henny de Lange, “ Tranen veranderen in projectielen”
Trouw, Rotterdam, January 23, 2002.
Sandra Smets, “De essentie van film in één
statisch beeld”, Cultuur, Rotterdams Dagblad, Rótterdam,
February 5, 2002.
Big River 2, catalogue, CCA – Contemporary Art Center,
Port of Spain.
Elena Oliveras, “Ambiguous Objects in Argentine Art
of the 90’s, ArtNexus”, 01-01-02
2001
Jorge López Anaya, “Crecer a pesar del ajuste”,
Diario La Nación, October 16, 2001.
Arte de los 90, book, Fondo Nacional de las Artes editorial,
2001.
2000
Elena Oliveras, “La levedad del límite”,
book, Fundación Pettoruti editorial, October 2000.
1999
AB, “Der Argentinische, Oh-Faktor”, Kultur Joker,
May-June 1999.
Eva Keller, “Ironic auf Vasen, Kunst im Rahmen”,
Der Sonntag, 30-5-99.
Ulrike Prasch, “Alles ist möglich”, Kultur,
21-5-99.
Gerahard Rump, “Auf dem Weg zur neuen Dekoration”,
Die Welt, 30-4-99.
Jiri Hezky, “Kunstmesse Francfort”, Kolner, Stadt-anzeiger,
24-4-99.
Jorge López Anaya, “Especial Arte 2”, La
Nación magazine, 31-10-99, p.17
Rodrigo Alonso, “Trans-liminares” catalogue, Fondo
Nacional de las Artes, 1999.
Premio Fortabat Catalogue, Museo Nacional de Bellas Artes,
1999.
Emilio Urrity, “La gran obra de arte”, Diario
Del fin del mundo, Ushuaia.
Catalogue: El Rojas en Patagonia, Museo Marítimo de
Ushuaia, 1999, UBA.
Catalogue: Bienal de Arte contemporáneo, Museo de Bahía
Blanca, 1999.
Viviana Usubiaga, “...en síntesis...”,
Espacio Giesso magazine, Buenos Aires, March - April 1999
Santiago García Navarro, “Espacio Giesso”,
Diario La Nación, 16-4-99.
Santiago García Navarro, “Balance de PROA”,
Diario La Nación, 7-1-99.
Catálogue, Balance ´98, Fundación PROA,
1999.
1998
Jorge López Anaya, “Balance con Ganancias“,
Diario La Nación, 27-12-98
Leo Chiachio y Gabriela Francote, “Los 90 en fuga”,
interview, Espacio Giesso magazine, November 1998.
Elena Oliveras , “Alicia Herrero”, Art Nexus magazine,
No. 28, June 1998.
Laura Bartkis, “Artistas contra los costos de catálogo”,
Diario Perfil, 17-5-98
Santiago García Navarro, “Una riesgosa manipulación”,
Diario La Nación, 7-5-98
Eva Gristein, “Alicia Herrero, una colección
desquiciada”, Diario El Cronista Comercial, 13-5-98
María Moreno, “Hay humo en tus ojos”, Diario
Pagina 12, 17-5-98, Suplemento Radar.
Marta Dillon, “Viaje Herrero”, Barbaria magazine,
ICI, May 1998.
1997
Laura Batkis, “Alicia Herrero”, Lápiz magazine,
No. 136, October 1997.
Laura Bartkis, Alicia Herrero catalogue, Fundación
Banco Patricios, Buenos Aires.
Jorge López Anaya, “Un tesoro en la alacena de
la cocina”, Diario La Nación, 11-10-97
Ana María Battistozzi, “...Y objetos sin valor”,
Diario Clarín 19-10-97.
Elena Oliveras, “La colección paródica
de Alicia Herrero”, catalogue, “15 artistas-15
críticos”, Praxis, Buenos Aires, 1997.
Santiago García Navarro, “Alicia Herrero”,
Diario La Nación, Suplemento Vía Libre, 30-10-97
Eva Gristein, “Un trío de buenos artistas”,
Diario El Cronista Comercial, 3-9-97
Victoria Verlichak, “Alicia Herrero”, D Y D magazine,
November 1997.
Corinne Sacco Abadi. “Ecuador, México, Argentina,
señales presentes”, Artinf magazine, Summer 1997.
Andrea Giunta. Catalogue, “en tránsito: señales
presentes”, Museo del Chopo, México y Fundación
Banco Patricios, Buenos Aires.
Merry Mac Masters, “Segunda etapa de intercambio México-Argentina”,
Diario La Jornada (México), 10-1-97
Estela Alcántara, “En tránsito, señales
presentes confronta artistas mexicanos y argentinos”,
Diario Gaceta (México), 16-1-97
Diario Reforma, “Señales de artistas argentinos
y mexicanos”, Suplemento Cultural, 10-1-97.
1996
Fabián Lebenglick, “Los cínicos y los
críticos”, Diario Página 12, 10-9-96
Laura Feinsilver, “México y la Argentina por
un arte crítico”, Diario Ambito Financiero, 7-9-96
Silvia Ambrosini, “Argentina México “ Artinf
magazine, Spring 1996.
Inés Katzestein , “ En tránsito: una exposición
de arte conceptual”, El Cronista Comercial, 5-9-96
1995
Inés Katzestein, interview, “Lo culinario del
arte”, Artinf magazine, Autumn 1995.
Jim Levine, “Kvinnorna Komer starkt” magazine
Konsttidningen, June 1996, nº 3, p.7
Feliciano Centurión, “ Herrero López Schiavi”
catalogue, Centro Cultural de la Ciudad y Pequeña Galería,
Asunción del Paraguay, 1995.
Elena Oliveras, “La diferencia femenina “, Los
lunes de la crítica, Fundación Klemm, Instituto
de Estética de Madrid and Museo Nacional de Bellas
Artes, 1995 – 96.
1994
Hernán Ameijeiras, “Actualmente todo termina
siendo domesticado”, interview, La Maga magazine, 9-11-94
Fabián Lebenglik,”El calor del hogar “
Diario Página 12, 8-11-94
Fabián Lebenglik, “El calor del hogar”,
“Violaciones Domésticas” catalogue, Espacio
Giesso, Buenos Aires, 1994.
Inés Katzestein, “La Bienal de La Habana”,
La Maga magazine, Buenos Aires, April 6, 1994
Andrea Giunta, “La mirada femenina y el discurso de
la diferencia”, Catalogue, V Bienal de La Habana, 1994
1993
Hernán Ameijeiras, “18 artistas argentinos...”,
La Maga magazine, 22-12-93
Andrea Giunta, “La mirada femenina y el discurso de
la diferencia”, Symposium Latinoamericana de Estética
y Crítica, 5-11-93
Julio Sánchez, “Alicia Herrero de lo lúbrico
a lo beatífico”, Clásica y Moderna catalogue,
March 1993.
Hernán Ameijeiras, “Herrero en el Uruguay”,
La Maga magazine, 17-2-93
1992
Fabián Lebenglik, “Como prolongar cabeza y manos”,
Diario Página 12, October 1992.
Jorge Glusberg, “Expone la generación joven”,
Diario Ambito Financiero, 1-9-92
Carlos Spartaco, “El licor de la letra”, Espacio
Giesso catalogue, April 1992
Jorge López Anaya, “Metáforas de placer”,
Diario La Nación, 2-5-92
Fabián Lebenglik, “Nuevas imágenes...”,
Diario Página 12, March 1992
1991
Albino Dieguez Videla , “Magníficos cambios de
Alicia Herrero”, Diario La Prensa, 9-6-91
Fabián Lebenglik, “Herrero Poética”,
Diario Página 12, 4-6-91
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