EXHIBITIONS / PROJECTS
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| ART & CAPITAL |
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ECONOMY |
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It investigates the impact of finances and economy on our existential conditions. It explores it as a cultural system, that performs diverse fields. These include the field of art, communication and ethical values.
They include documentary drawings,
live actions, video, the second versions of auctions
catalogues, sheets, posters, graphics, theatrical presentations
with Power Point, a website, mathematical calculations,
and technical and legal expertise.
Museum
of the Political Economy of Art 2012
Action-Instruments
Box Presentation
Plus-Valía
(Surplus-Value) 2012
Errata-Catalogue
2012
Action-Instruments
Box 2011
Auctions
Market & Money since 2008
Suite Auction
Drawings since 2008
Errata
since 1998
Posters 2008/9
Maps 2008
Industrial Design
2001
Enchanted Landscape
1998
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MUSEUM /COLLECTION |
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Museum /Collections
Museum/Collections raises active questions about the
museum, the act of collecting, and the status of legitimation
as systems of belief and narratives of power. It includes
interventions, installations, mise-en-scène,
video, archives, performances, letters, and documents.
Wherever an object is exhibited (or otherwise singled
out), it enters into a "conversation" with
other artifacts and, according to the context in which
it is placed, it champions an array of particular views
which, inevitably, differ from a host of other views.
Both as metaphor and agent (not only within the art
world), it becomes part of the negotiations—and
the struggles—over how we understand the world
and what our social relations should be. (Text
by Hans Haacke, from Viewing Matters, Museum Boijmans
Van Beuningen)
Museum
of the Political Economy of Art 2012
Displays 2009
Conversazioni
2009
A&A-Lost In History
2007
Conversaciones
2006
Conversaciones
2005
Minigarden
2005/2006/2009
Imperio/Things
2005
Alice Ville
2005
Cultural
Productions 2004
Chat
2001
My Booty
1997/2002
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CULTURAL PRODUCTIONS/LINES
OF FLIGHT |
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These projects operate on drifts
and lines of flight. Revisiting the vanguardist inheritance,
they turn to the rhetoric of the symposium or conference,
psychogeography, the tour, activism, bar talk, the creation
of laboratories, live magazines, or new devices. In
these exercises, the artistic practices—through
the use of performative strategies of mimesis and camouflage—
become invisible.
Museum
of the Political Economy of Art 2012
Public Considerations,
A Symposium In Three Acts 2010/2011
Revolutionary Travel!
2010/2011
Culture Secretary
2009/2010
Cultural
Capital 2009
DeNationality 2008
Capital
Flow´s since 2008
LIPAC
since 2007
The Paradigm Confines
Tour 2007
Links 2006
Magazine
in Situ since 2004
EPA! 2003/2006
Sucesos Archive/Elipse
2003
Guided Tour
2001
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Art & Capital brings together a series of practices exploring the flows between normativized constructs of economy, devices of art and cultural phenomena. The media are installation, graphics, performativity, drawings, objects, symposia, enactments, laboratories, videos and publications.
Some of these projects involve different languages such as development of graphs and economic calculations, financial information, courtroom drawings, notarial documents and tactics of taw. Their strategies can be simulacra, mimesis and camouflage, second versions, para-realities or real facts.
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