ARTWORKS / PROJECTS
GLOBAL CONCENTRATION
sculpture
wood, iron, paint
70 x 90 x 90 cm
A Visual Theory of Distribution, individual exhibition at Henrique Faria gallery
Buenos Aires
2017
|
PRESS dossier
Courtesy Henrique Faria / Ph Estudio Giménez. Duhau
Courtesy Henrique Faria / Ph Estudio Giménez. Duhau
Courtesy Henrique Faria / Ph Estudio Giménez. Duhau
Curatorial text
THE MYSTERY OF MEASUREMENTS AND EXCESSES (desbordes) by Gonzalo Aguilar, catalogue of solo show at Henrique Faria gallery, november 15/december 27 /2017.
Critical articles
LA ESTÉTICA DEL DESEO EN LA ERA DE LAS MÁQUINAS [THE AESTHETICS OF DESIRE IN THE MACHINES AGE] by Ana María Battistozzi, Revista Ñ /Clarin, saturday 31/12/2017
CUESTIÓN DE ESCALA [SCALE QUESTION] by Laura Rosso, Pagina 12, friday 22/12/2017
UN VIDRIO LLENO DE GENTE [A GLASS FULL OF PEOPLE]by Laura Isola, Perfil Culura/Arte, sunday 17 /12 /2017
MARCEL DUCHAMP EN BUENOS AIRES: HUELLAS DE UNA VANGUARDIA INVISIBLE [MARCEL DUCHAMP IN BUENOS AIRES: FOOTPRINTS OF AN INVISIBLE AVANT-GARDE] by Fernando García, La Nación /Cultura, sunday 10/12/2017
EL ARTE, EL FEMINISMO Y LOS GRANDES RELATOS. El lugar subordinado de las mujeres en el espacio social del arte es tematizado en muestras críticas.[ART, FEMINISM AND GREAT STORIES The subordinate place of women in the social space of art is thematized in critical exhibitions] by Daniela LucenaRevista Ñ, saturday 31/12/2017
UNA MUESTRA PARA PONER EN VALOR EL DISENSO[AN EXHIBITION TO PUT IN VALUE TO THE DISSENT] by Jessica Fabaro, TN, 2/12/2017
LA MEDICIÓN, QUE SIN DUDA ESTÁ EN EL ORIGEN DE LA POLÍTICA Y DE LA ECONOMÍA, TAMBIÉN LO ESTÁ EN EL ORIGEN DEL ARTE [(THE MEASUREMENT, WHICH WITHOUT DOUBT IS IN THE ORIGIN OF POLITICS AND ECONOMY, IS ALSO AT THE ORIGIN OF ART], about individual show: A theory of Distribution, Ramona magazine, november 2017
LA MEDICIÓN, QUE SIN DUDA ESTÁ EN EL ORIGEN DE LA POLÍTICA Y DE LA ECONOMÍA, TAMBIÉN LO ESTÁ EN EL ORIGEN DEL ARTE, Ramona magazine, noviembre 2017
ALICIA HERRERO. EL MISTERIO DE LAS MEDIDAS Y LOS DESBORDES, artishock review07/12/2017
ALICIA HERRERO. UNA TEORÍA VISUAL DE LA DISTRIBUCIÓN, artehispano, review.
nore information:
Bibliography
|
Description:
GLOBAL CONCENTRATION interprets a pie chart about the global wealth concentration according to 2016.
This work approachs the gravitational dimension of the economy on our existential conditions, their ways of being between our bodies, their infinite material and symbolic capacity of enchantment. Its experimental and project power on a global and transhistorical human scale.
These series of works use the language of the graph indicators and their possible drifts: bar graphs, pyramids of wealth, future projections, pie charts. Color and materials used emphasize the visual and constructive than these graphs represent condition, highlight.
.
|
